In today's world, Kikuchi Yōsai has become a topic of increasing interest to people of all ages and backgrounds. Whether we are talking about the importance of mental health, the technological revolution, women's empowerment, or any other topic, Kikuchi Yōsai is a fundamental element that has gained relevance in all spheres of life. From its impact on politics and the economy, to its influence on popular culture, Kikuchi Yōsai is an aspect that we cannot ignore. In this article, we will explore how Kikuchi Yōsai has transformed the way we think and act, and how its presence continues to shape our world in ways that were previously unimaginable.
Kikuchi Yōsai | |
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Born | Kawahara Takeyasu (河原 武保) 28 November 1788 |
Died | 16 June 1878 | (aged 89)
Occupation | Painter |
Kikuchi Yōsai (菊池 容斎, November 28, 1788 – June 16, 1878), also known as Kikuchi Takeyasu and Kawahara Ryōhei, was a Japanese painter most famous for his monochrome portraits of historical figures.
The son of a samurai named Kawahara of Edo, he was adopted by a family named Kikuchi. When eighteen, he became a pupil of Takata Enjō; but, after studying the principles of the Kanō, Shijō, and Maruyama schools, perhaps, under Ozui, a son of Ōkyo, he developed an independent style, having some affinities with that of Tani Bunchō.[1]
His illustrated history of Japanese heroes, the Zenken Kojitsu, is a remarkable specimen of his skill as a draughtsman in monochrome ink.[1] In order to produce this work, and his many other portraits of historical figures, he performed extensive historical, and even archaeological, research. Zenken Kojitsu features over 500 major figures in Japanese history, and was originally printed as a series of ten woodblock printed books, in 1878.[citation needed]
Nakane Kōtei (中根 香亭) pointed out that Yōsai modelled the form of Zenken Kojitsu (前賢故実) on Wanxiaotang Zhuzhuang Huachuan (晩笑堂竹荘画伝) which was drawn by the Qing illustrator Shangguan Zhou . Kōtei also said that Yōsai was influenced by Hokusai when young. He thought of the calligraphy as much as the picture when he guided a pupil.[citation needed]