Nowadays, Kid Galahad (EP) is a topic that generates great interest in society. Its impact extends to different areas, from politics to popular culture, and its relevance is not limited to a specific region, but transcends borders and reaches people around the world. Kid Galahad (EP) has captured the attention of academics, professionals and experts in various disciplines, who seek to understand its influence and impact on everyday life. In this article, we will further explore Kid Galahad (EP) and its implications today, offering a comprehensive perspective that covers both its positive aspects and those that generate controversy.
Kid Galahad | ||||
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EP (soundtrack) by | ||||
Released | August 28, 1962 | |||
Recorded | October 26–27, 1961 | |||
Studio | Radio Recorders (Hollywood) | |||
Genre | Pop | |||
Length | 14:03 | |||
Label | RCA Victor | |||
Producer | Jeff Alexander | |||
Elvis Presley chronology | ||||
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Kid Galahad is an EP by American singer Elvis Presley, containing six songs from the motion picture of the same name.[4] Six songs were recorded for the film and the soundtrack was issued as an extended play record in August 1962 to coincide with the film's premiere. The extended play record was certified Gold by the Recording Industry Association of America on March 27, 1992, for the sales of 250,000 copies.[5] The featured song from the album, "King of the Whole Wide World", received Top 40 radio airplay and reached No. 30 on the Billboard Hot 100 singles chart. The extended play record was the number-one EP in the UK for 17 weeks.[6]
Recording sessions took place ten months prior to the film's release on October 26 and 27, 1961, at Radio Recorders Studios in Hollywood, California. At this point in his career Presley had a proven sales track record, and up to 300 demos were often submitted for a single film, even given the requisite publishing arrangements favorable toward the companies owned by Elvis and the Colonel, Elvis Presley Music and Gladys Music.[7] As the plots for Presley films became interchangeable, songs rejected for a certain storyline could later be used for an entirely different film, as with "A Whistling Tune" which had been omitted from Presley's previous film Follow That Dream but found a place here instead.[7]
No. | Title | Writer(s) | Recording date | Length |
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1. | "King of the Whole Wide World" | Ruth Batchlor and Bob Roberts | October 27, 1961 | 2:07 |
2. | "This Is Living" | Fred Wise and Ben Weisman | October 27, 1961 | 1:43 |
3. | "Riding the Rainbow" | Fred Wise and Ben Weisman | October 26, 1961 | 1:38 |
No. | Title | Writer(s) | Recording date | Length |
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1. | "Home Is Where the Heart Is" | Sherman Edwards and Hal David | October 26, 1961 | 1:50 |
2. | "I Got Lucky" | Fred Wise and Ben Weisman | October 27, 1961 | 1:54 |
3. | "A Whistling Tune" | Sherman Edwards and Hal David | October 26, 1961 | 2:24 |