In today's world, Khas music is a topic that arouses great interest and debate in society. Whether due to its historical relevance, impact on daily life or political and social implications, Khas music has become a highly topical topic. In this article we will explore the different facets and perspectives related to Khas music, analyzing its importance in different contexts and examining possible implications for the future. Throughout these pages, we seek to shed light on Khas music and offer a complete and objective vision that invites reflection and debate.
![]() | This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these messages)
|
Khas Music originates from the practices of the Nepali Khas society.
Castes like Damai, Gandharva, Gaine play musical instruments and sing during festive occasions of the Khas people. Due to modernization this practice has almost disappeared and mass electronic media like television, internet is quickly taking over as means of entertainment especially in the Kathmandu valley.[1]
The term Khas Music as a genre is on the decline too as the term Khas itself is obsolete. The Khas people have adopted surnames of Chettris and Bahuns.