In today's world, Karin Daughter of Ingmar is a topic that arouses the interest and attention of people of all ages, nationalities and lifestyles. Whether due to its relevance in popular culture, its impact on society or its implications in the scientific field, Karin Daughter of Ingmar has managed to capture the attention of millions of individuals around the world. In this article, we will explore the different facets of Karin Daughter of Ingmar, analyzing its importance, its evolution over time and its influence on various aspects of daily life. From its origin to the present, Karin Daughter of Ingmar has left an indelible mark on history and continues to generate debates, reflections and discoveries.
Karin Daughter of Ingmar | |
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Directed by | Victor Sjöström |
Written by | Screenplay: Ester Julin Victor Sjöström Novel: Selma Lagerlöf |
Starring | Victor Sjöström Tora Teje |
Cinematography | Gustaf Bode Henrik Jaenzon |
Release date |
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Running time | 115 minutes |
Country | Sweden |
Language | Silent with Swedish intertitles |
Karin Daughter of Ingmar (Swedish: Karin Ingmarsdotter) is a 1920 Swedish silent drama film directed by Victor Sjöström.[1] It is the second part in Sjöström's large-scale adaption of Selma Lagerlöf's novel Jerusalem, following Sons of Ingmar from the year before, and depicting chapter three and four from the novel. The critical reception of the film was, however, unenthusiastic, and Sjöström decided to not direct any more parts. Eventually the suite was finished by Gustaf Molander in 1926.[2]