Today, Kami Asgar is a topic of great relevance and interest to a wide public. Since its emergence, it has captured the attention of experts and fans alike, generating continuous debate around its nature and relevance in various fields. Whether due to its impact on society, its influence on popular culture or its importance in technological development, Kami Asgar has proven to be a topic worthy of study and reflection. In this article, we will explore different aspects related to Kami Asgar, offering a comprehensive and detailed vision that seeks to contribute to the understanding and appreciation of this phenomenon.
Kami Asgar | |
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Born | citation needed] | May 26, 1965 [
Occupations | |
Years active | 1990–present |
Kami Asgar is an Iranian-American sound editor and film producer.[1] He received an Academy Award nomination for his work on the film Apocalypto (2006),[2] for which he became the first and only Middle Eastern to date to be nominated for Best Sound Editing.[citation needed]
Year | Award | Category | Nominated work | Result | Ref. |
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1996 | 48th Primetime Creative Arts Emmy Awards | Outstanding Sound Editing for a Series | "Halloween III" Dr. Quinn, Medicine Woman |
Nominated | [3] |
2005 | 52nd Golden Reel Awards | Best Sound Editing – Dialogue & ADR, Domestic Feature Film | The Passion of the Christ | Nominated | [4] |
2007 | 79th Academy Awards | Best Sound Editing | Apocalypto | Nominated | [5] |
54th Golden Reel Awards | Best Sound Editing in Feature Film – Dialogue & ADR | Nominated | [6] | ||
2010 | 15th Satellite Awards | Best Sound | Secretariat | Nominated |