Kagema

In today's world, Kagema is a topic that has captured the attention and interest of a wide spectrum of society. From its impact on popular culture to its influence on politics and the economy, Kagema has become a topic that does not go unnoticed. With its complexity and diversity, Kagema has generated intense and passionate debate among experts and laypeople alike. In this article, we will explore the many facets of Kagema and discuss its importance and relevance today.

A man cavorts with a wakashū (probably a kagema) and a female sex worker. The wakashū (wearing headscarf) sneaks a kiss from the lady behind his patron's back. Nishikawa Sukenobu, c. 1716–1735. Hand-colored shunga print.

Kagema (陰間) is a Japanese term for historical young male sex workers. Kagema were often passed off as apprentice kabuki actors (who often engaged in sex work themselves on the side) and catered to a mixed male and female clientele. For male clients, the preferred service was anal sex, with the client taking the penetrative role;[1]: 109  homosexual fellatio is almost unmentioned in Edo period (1603–1867) documents.[1]: 121–122 

Kagema who were not affiliated with an actual kabuki theatre could be hired through male brothels or teahouses specializing in kagema.[1]: 69–72  Such institutions were known as kagemajaya (陰間茶屋, lit.'kagema teahouse'). Kagema typically charged more than female sex workers of equivalent status,[1]: p111 and associated notes  and experienced healthy trade into the mid-19th century, despite increasing legal restrictions that attempted to contain sex workers (both male and female) in specified urban areas and to dissuade class-spanning relationships, which were viewed as potentially disruptive to traditional social organization.[1]: 70–78, 132–134 

Many such sex workers, as well as many young kabuki actors, were indentured servants sold as children to the brothel or theater, typically on a ten-year contract.[1]: 69, 134–135  Kagema could be presented as yarō (young men), wakashū (adolescent boys, about 10–18 years old) or as onnagata (female impersonators).[1]: 90–92 

This term also appears in modern Japanese homosexual slang.

See also

References

  1. ^ a b c d e f g Leupp, Gary P. (1997). Male Colors: The Construction of Homosexuality in Tokugawa Japan. University of California Press. ISBN 978-0-520-20900-8.

Bibliography

  • Bernard Faure "The Red Thread" 1998.