In this article, we will explore the topic of Kōshōnin from different angles to better understand its importance and impact on today's society. From its origins to its relevance today, Kōshōnin has been a topic of interest and debate in various areas, attracting the attention of experts and professionals from different disciplines. Throughout this article, we will analyze the different perspectives on Kōshōnin, as well as its possible implications for the future. We will also examine concrete examples that illustrate the relevance of Kōshōnin in the contemporary context. Finally, we will pose questions and reflections that invite the reader to deepen their knowledge and understanding of Kōshōnin.
This article needs additional citations for verification. (July 2019) |
Kōshōnin | |
---|---|
![]() Japanese poster | |
Based on | Kōshōnin by Takahisa Igarashi |
Screenplay by | Kota Yamada |
Directed by | Takashi Miike |
Country of origin | Japan |
Original language | Japanese |
Production | |
Running time | 107 minutes |
Production companies | Excellent Film Wowow |
Original release | |
Network | Wowow |
Release | August 17, 2003 |
Kōshōnin (交渉人) is a 2003 Japanese crime TV film directed by Takashi Miike. It was released in other regions under the title The Negotiator or simply Negotiator.[1]
Three man wearing motorcycle helmets rob a convenience store then abandon their vehicle outside a hospital. A group of people are taken hostage in the hospital and Inspector Ishida and Captain Tohno handle the negotiations. Ishida suggests allowing the three criminals to escape with three doctors as their hostages in order to let the other hostages go free. After this is done, Lt. Ado tries to understand the motive for the crime. He discovers that something else is behind the crime and that the hospital was not selected by chance.