There is growing interest in Ján Kollár, either because of its impact on society or because of its relevance in the scientific field. For decades, Ján Kollár has captured the attention of academics, professionals and the general public due to its importance in various aspects of daily life. In this article we will explore different facets of Ján Kollár, from its origin and evolution to its influence today. We will analyze how Ján Kollár has shaped the world we live in and what perspectives open up around this topic. In addition, we will examine the ethical and moral implications that Ján Kollár can raise, without neglecting the advances that have been achieved in this field.
Ján Kollár | |
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Born | Mosóc, Kingdom of Hungary (now Mošovce, Slovakia) | 29 July 1793
Died | 24 January 1852 Vienna, Austrian Empire | (aged 58)
Occupation | Writer, poet, pastor |
Nationality | Slovak |
Notable works | Slávy dcera |
Relatives | Matej Kollár (father) Katarína Frndová (mother) |
Ján Kollár (Hungarian: Kollár János; 29 July 1793 – 24 January 1852) was a Slovak writer (mainly poet), archaeologist, scientist, Lutheran pastor, politician, and main ideologist of Pan-Slavism.
He studied at the Lutheran Lyceum in Pressburg (Pozsony, Kingdom of Hungary, now Bratislava,[1] Slovakia). In 1817 he enrolled in the University of Jena.[2] His attendance at the Wartburgfest (18 October 1817) has since been credited as being a formative experience with regards to his views on Pan-Slavism.[3]
He spent most of his adult life as a chaplain to the populous but poor[4] Slovak Lutheran community in Pest[5] (Kingdom of Hungary, today part of Budapest, Hungary). From 1849, he was a professor of Slavic archeology at the University of Vienna, and several times he also acted as a counselor to the Austrian government for issues around the Slovaks. He entered the Slovak national movement in its first phase.
His museum (since 1974) in Mošovce was installed in the former granary, which was the only masoned part of Kollár's otherwise wooden birth-house. The rest of the house burned down in a fire on 16 August 1863. In 2009 a replica was rebuilt of the original birth-house, which is now a museum.[6]
He worked out a conception of Slav reciprocity. He admitted 4 standard languages: Russian, Polish, Czechoslovak and Serbo-Croatian.
Besides writing poetry he also wrote technical literature.
In this work he worked out the conception of Slavic reciprocity. He expressed his feelings to a woman but this love had transformed to a love to his homeland. The main thematics of this work are: •love •patriotism
It is divided into 5 chapters and it has a foreword.
Předzpěv (Prelude)
The author expressed his fears that the Slovaks will disappear from the face of Europe like other Slavic tribes before. He asked the Slovaks to ask for help from the Russian nation.
1. Sála
This part contains love sonnets. Kollár glorifies his love Mína, depicting her as an ideal of a Slavic maid, the daughter of goddess Sláva.
2. Labe, Rén, Vltava
In these parts, the author takes us to places where Slavic tribes lived before. He is disappointed because these areas belong to foreign countries now.
3. Dunaj
The author arrives to Slovakia, disillusioned by the poverty of this area. He is highly disappointed and longs for death.
4. Léthé
5. Acheron
Mína becomes a fairy and takes the author to Slavic heaven and hell.