Julio Numhauser

In today's world, Julio Numhauser is a topic that has become increasingly relevant and has generated widespread interest in various areas of society. Whether due to its impact on everyday life, its influence on popular culture or its importance in academia, Julio Numhauser has captured the attention of experts, enthusiasts and even those who are just beginning to explore this phenomenon. As Julio Numhauser continues to transform and evolve, it is imperative to understand its complexities, implications and ramifications in different contexts. This article will take a deeper look at Julio Numhauser, exploring its origins, current influence, and possible future developments.

Julio Numhauser
Born1939
Santiago
OriginChile
GenresFolk, Nueva Canción, Chilean music
Instrument(s)Vocal, Guitar
Years activeSince 1965

Julio Numhauser is a Chilean musician of the Nueva Canción-movement. He founded the folk music group Quilapayún in 1965 together with the brothers, Julio Carrasco and Eduardo Carrasco, where he stayed until 1967. 1968 he founded the folk music group, Amerindios, together with Mario Salazar. In 1980 he founded the group Somos with Francisco Ibarra and Oscar Salazar.[1][2]

Numhauser left Chile in 1973 due to the dictatorship of Augusto Pinochet. In 1975 he moved to Sweden, where he still lives today. In 2000 he was chosen to be the cultural attaché of the Chilean embassy in Sweden by the Chilean president Ricardo Lagos.[3]

Discography

With Quilapayún

  • 1967 – Quilapayún

With Amerindios

  • 1970 – Amerindios
  • 1973 – Tu grito es mi canto
  • 1978 – Alejado de ti... pero contigo

Solo albums

  • 1982 – Todo cambia
  • 1984 – Somos PAX
  • 1989 – A Chile con todo el amor (CBS)
  • 1997 – Nuevos caminos
  • 2001 – Antología (Warner Music)

Collections

  • 2003 – Nueva Canción Chilena. Antología definitiva

References

  1. ^ Música Popular: Julio Numhauser Archived 7 January 2011 at the Wayback Machine
  2. ^ Música Popular: Quilapayún Archived 4 July 2009 at the Wayback Machine
  3. ^ El Mercurio: Agregados culturales: ¿Por qué yo?


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