In this article, the topic of Joel Silberg will be addressed from different perspectives, with the aim of analyzing its importance and relevance today. We will explore the various implications that Joel Silberg has on our society, as well as its impact on people's daily lives. In addition, different points of view from experts and professionals in the field will be presented, in order to enrich the debate and offer a more complete and objective vision about Joel Silberg. Likewise, concrete examples will be examined to illustrate the influence of Joel Silberg in different areas, and possible solutions or recommendations will be proposed to adequately manage the challenges that Joel Silberg currently poses. Ultimately, this article aims to deepen knowledge about Joel Silberg and encourage a constructive debate around its importance and repercussions on our society.
Joel Silberg | |
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יואל זילברג | |
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Born | Tel Aviv, Mandatory Palestine | 30 March 1927
Died | 18 February 2013 Tel Aviv, Israel | (aged 85)
Other names | Yoel Silberg Joel Zilberg |
Occupations |
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Years active | 1949-2013 |
Children | 3 |
Parent | Ben Zion Silberg |
Joel Silberg (Hebrew: יואל זילברג; 30 March 1927 – 18 February 2013) was a film, television and stage director and screenwriter in Israel and the United States.[1][2] He made films in Israel including so-called Bourekas films. He then directed films in the U.S. during the 1980s, including Breakin' and Lambada. Both have been described as exploitation films. In 2008 he received the Lifetime Achievement Award from the Israel Film Academy.
Silberg was born in Palestine in 1927.[3] He was the son of actor Ben Zion Silberg. He began his career directing at London's Old Vic theater. He co-wrote the Israeli musical film Kazablan (1974).
Breakin' was shot in Los Angeles and reflects a different style of break dancing and street dance culture than the Bronx, New York film Beat Street.[4] Roger Ebert gave Breakin' 1 1/2 stars, stating that it was a rather predictable story.[5] The sequel, Breakin' 2: Electric Boogaloo, directed by Sam Firstenberg, was released 7 months later, and was a Cannon Films productions. It received poor critical reception.[6] Later on, the subtitle "Electric Boogaloo" would enter the pop-culture lexicon as a snowclone pejorative nickname to denote an archetypical sequel.[7]
Author Kimberly Monteyne referred to films such as Rappin' as "hip hop-oriented exploitation extravaganzas".[8]
Silberg died on February 18, 2013, in Israel, aged 85.[9]