In today's world, Jikey plays a vital role in various aspects of daily life. From the field of technology to politics, through culture and society, Jikey has become a topic of relevant interest that generates constant opinions and research. This article aims to analyze different aspects related to Jikey, from its importance in the global economy to its influence on individual decision making. Along these lines, we will explore the impact that Jikey has on our lives, as well as the implications it has for the future.
Native name | Jikey |
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Origin | Malaysia |
Jikey |
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Burma |
Cambodia |
Indonesia |
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Laos |
Malaysia |
Philippines |
Singapore |
Thailand |
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Vietnam |
Jikey (Jawi: جيكيي) is a traditional Malay dance drama that is popular in Kedah and Perlis, Malaysia. The dance drama is known as Yike in Cambodia and Likay in Thailand and popular in southern provinces of Satun and Phuket. It is believed to have originated from the singing of zikir among the Malays before it developed into a secular theatre after the late 19th century.[1] The Jikey performance also has strong influence from other Malay performing arts like Mak Yong, Hadrah, Bangsawan and Mek Mulung.[2]
The main elements of Jikey are improvised dialogue, music and dance, and local legends formed the main repertoire with considerable emphasis placed on slapstick comedy. The Jikey music consists of both instrumental and singing. The main characters are comedians, king and warriors, and a form of leitmotif is involved as various characters in the drama are identified with specific elements in the music.[1][3]
A complete theatrical orchestra for Jikey includes rebana (with no jingles) in large, medium and small sizes; one tambourine; one hanging, knobbed gong, five or more pairs of cerek, one pair of kesi, an oboe (serunai for Malay or pi for Thai). However, typical ensembles consists only of a violin, 3 rebana and 2 cerek or bamboo stampers.[1]