In today's world, Jayant Parikh has become a topic of great relevance and interest to a wide spectrum of society. Both on a personal and professional level, Jayant Parikh has sparked numerous debates and discussions about its implications and consequences. From its origins to the present day, Jayant Parikh has made a significant impact on the way we perceive the world around us. Over the years, Jayant Parikh has evolved and adapted to the changes and challenges of the environment, demonstrating its ability to remain relevant and current in a world in constant transformation. In this article, we will explore in detail the multiple aspects and dimensions of Jayant Parikh, analyzing its influence in different areas of life and its role in shaping the present and the future.
Collagraphy print subject SpaceCraft presented in a most simple way using the natural texture of wood.Ceramic mural on a wall with subject kites, using hard material such as ceramic tiles he created rhythm flow in subject and material.
In 1962, he acquired his Post Diploma in Painting under the teaching of N. S. Bendre. As an extra subject, he studied woodcut in graphics. Later on, he also learned etching and colorography.
He was a temporary lecturer in the faculty of fine arts M.S. University in 1970 for the painting department and in 1980 for the graphics department for one year short duration each time. He also had more than 74 one-man shows.[5]
At Osian’s auction house, his painting price was proposed from 13,335 USD to 16,950 USD.[9]
Artist style and influence
Parikh started his work initially as abstract: he practised Cubism for one year. For this short duration of time, he was influenced by the art of Pablo Picasso. Later, after 1970, he created his own style of painting, calling it Rhythm. Since his beginnings, his favourite subject remains Indian monuments and archaeological sites. He has always painted his art either on-site of his reference monument, or he paints a sketch and from that reference, he paints in his studio. Since 1970 he found the fourth dimension in his artwork which is motion, which he calls Rhythm. His art is influenced by nature, and he feels that he paints that rhythm in his painting.[10]
Collection
His works are held in the collections of the following:
Chester and Davida Herwitz collection, famously known as the Herwitz collection,[11]
1961 - Baroda Group of Artists: Fifth Annual Exhibition of Paintings was held at Roopa Gallery, Taj Mahal Palace Hotel, Mumbai, from 25 to 31 January 1961.[42]
2009 - 22 September 2009 -- San Qi, at the Four Seasons Hotel, Worli Mumbai.[43]
2016 - Aura art show timeless masterpieces at 23 to 30 November 2016 at Hutheesing, Visual Art Centre, Ahmedabad.[44]
Jayant Parikh had participated All India Artist camp at madras from 24-03-1980 to 31-03-1980 organized by Lalit Kala Akademi.[60]
Workshop
A six-day workshop will be held under the guidance of eminent artist printmaker Jayant Parikh at the Department of Graphic Arts of The Maharaja Sayajirao University, Faculty of Fine Arts on 24th September 2018.[61]
Jayant Parikh participated as a coordinator in the workshop of collagraphy at the National Printmaking and Painting Workshop, State University of Performing Art, The Maharaja Sayajirao University of Baroda.[62]