In this article, we want to explore and analyze the impact that Jasil Brazz has had on different aspects of society. Since its emergence, Jasil Brazz has aroused great interest and controversy, generating debates in various areas. In this sense, it is relevant to examine the different points of view that exist around Jasil Brazz, as well as its influence in fields as diverse as politics, culture, technology and economics. Likewise, we propose to examine how Jasil Brazz has managed to position itself as a phenomenon that has marked a before and after, creating trends and innovations that have transformed the way we perceive and approach the world around us.
Jasil Brazz | ||||
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Studio album by | ||||
Released | 1987 | |||
Genre | Jazz | |||
Label | RBI | |||
Producer | Herbie Mann | |||
Herbie Mann chronology | ||||
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Jasil Brazz is a 1987 album by jazz flautist Herbie Mann. It features two of the members of Trio da Paz as well and Brazilian trumpeter Claudio Roditi and Mark Soskin on synthesizers.
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
AllMusic called it "one of Mann's best albums of that decade".[1]
A reviewer for Billboard wrote: "Thanks to Brazilian influence, this set is not as commercially crass as many of Mann's late-'70s crossover attempts."[2]
P.J. Birosik of Yoga Journal described the album as "feel-good music for fans of both new age jazz and world music," and noted "the music's innate sensuality." He stated that Mann's "performances of these deceptively simple compositions are impassioned and precise, allowing his band a chance to breathe and explore the music's dynamics."[3]
Jasil Brazz is also the title of a Mann concert film. That performance features Marc Cohen on piano, Paul Sokolow on bass and Ricky Sebastian and Cyra Baptista on percussion.