Jacking

Nowadays, Jacking is a topic that has gained great relevance in society. It is a topic that has generated interest and debate in different sectors, since its impact has been felt in different spheres of daily life. From Jacking, people from different fields have expressed their opinion and have sought to thoroughly understand the different nuances it covers. In this article, we will explore Jacking in depth, analyzing its various facets and its influence today. Through a detailed and rigorous approach, we aim to provide a comprehensive view on Jacking and its importance in contemporary society.

Not to be confused with jack (device), carjacking, jackknifing, or jacking off.
For the alcohol distillation method, see fractional freezing § Alcoholic beverages.

Jacking, Jackin’, or the jack is a freestyle dance move in which the dancer ripples their torso back and forth in an undulating motion. It emerged within the context of Chicago house music in the 1980s.

Origins and interpretations

The style is said to have developed in Chicago nightclubs like the Warehouse and the Power Plant, where house pioneer Frankie Knuckles was resident DJ, and Ron Hardy's Music Box, during the early 1980s.[1]

Music journalist Simon Reynolds has argued that just as house music evolved from disco music (among other influences – see House music), jacking evolved from the expressiveness of disco dancing.[2] Even more than disco, house music endorsed an “abandonment of subjectivity and self-will”, promoting the “ecstasy of being enthralled by the beat”.[2] He sees jacking as a reflection of this abandonment of subjectivity:

“In disco, dance had gradually shed its role as courtship ritual and opened up into unpaired freestyle self-expression. Jacking took this to the next stage, replacing pelvic thrust and booty shake with a whole-body frenzy of polymorphously perverse tics and convulsive pogo-ing.” — Simon Reynolds: Generation Ecstasy, 1999, p. 29[2]

A similar account on the sexual content of jacking was suggested by Barry Walters in his 1986 article on house music in SPIN magazine:

“House lyrical content consists of dancing and sex. ‘Jacking your body’ (moving up and down on a dance floor) can easily slide into sex. Like the incessantly booming beat, house sexuality is reduced to absurdly aggressive basics, but not without a self-mocking playfulness and an underlying message of liberation.” — Barry Walters: Burning Down the House, 1986[3]

DJ and record producer Chip E. also explains the body movements in jacking with a reference to sexuality:

“Some of the music is explicitly sexual because some of the individuals are explicitly sexual. House is suited for the way people dance now, which is like being in bed but standing up. ‘Jacking’ is to house as ‘boogying’ was to disco.” — Chip E., quoted by Walters, Burning Down the House, 1986[3]

"Jackin' house" as a style of music

The terms "jacking", "jackin'", or "jack" found their way into numerous titles of early house music records, such as the Jack Trax EP by Chip E. (1985), "Jack'n the House" (1985) by Farley "Jackmaster" Funk (1985), "Jack Your Body" by Steve "Silk" Hurley (1986), "The Jack That House Built" by Jack 'n' Chill (1987), or "Jack to the Sound of the Underground" by Hithouse (1988).

The term is also transferred to certain styles of house music called "jackin' house".[4]

See also

References

  1. ^ Tim Lawrence: Acid ⎯ Can You Jack? (2005).
  2. ^ a b c Reynolds, Simon (1999). Generation Ecstasy: Into the World of House Music and Rave Culture. Routledge. pp. 27–31.
  3. ^ a b Barry Walters: Burning Down the House. SPIN magazine, November 1986.
  4. ^ What is Jackin House? History and meaning of Jackin House, Pressure Radio.
Look up jacking in Wiktionary, the free dictionary.