In this article, we will explore Isaac Glikman and its impact on different aspects of everyday life. Isaac Glikman is a topic that has captured the attention of people of all ages and backgrounds, generating widespread interest and debate in today's society. Throughout history, Isaac Glikman has played a crucial role in defining identities, technological development, interpersonal relationships, and other fundamental aspects of the human experience. Through detailed analysis, we will examine how Isaac Glikman has shaped and continues to shape the way we think, feel, and act in the world. Additionally, we will explore the future implications of Isaac Glikman and its relevance in an ever-changing global context.
Isaac Glikman | |
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Born | January 11, 1911 |
Died | July 31, 2003 |
Nationality | Russian |
Occupation(s) | librettist, screenwriter, critic, professor |
Isaac Davydovich Glikman (1911–2003) was a Soviet literary critic, theater critic, librettist, screenwriter, and teacher at the St. Petersburg Conservatory. He was a close friend of the composer Dmitri Shostakovich.[1]
Glikman was born in 1911 in Vitebsk, in the family of Jewish actor David Glikman.
He graduated from philology faculty of the Leningrad University. It was while working in an administrative capacity for the Leningrad Philharmonia's Mass Education Unit that he first met Shostakovich in 1931; he then became his literary consultant and unofficial secretary.[2] In the 1940s he headed the literary section of the Maly Opera Theater. Collaborating with composers, librettists and directors, he helped to create new stage works, among them Sergei Prokofiev's War and Peace. He wrote screenplays for famous operas and operettas, and worked for many years as a music consultant and editor at Lenfilm.[3]