Nowadays, Innokenty Smoktunovsky has become a topic of great relevance and interest to a wide variety of people around the world. Whether due to its impact on society, its influence on popular culture or its importance in the scientific field, Innokenty Smoktunovsky has captured the attention of millions of individuals. From its origins to its current evolution, Innokenty Smoktunovsky has been the subject of study and debate in different areas, generating all kinds of opinions and analysis. In this article, we will explore in depth the various facets of Innokenty Smoktunovsky and its relevance in the current context, with the aim of understanding its impact and meaning in modern society.
Innokenty Smoktunovsky | |
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Иннокентий Смоктуновский | |
![]() Smoktunovsky in 1943 | |
Born | Innokenty Mikhailovich Smoktunovich 28 March 1925 |
Died | 3 August 1994 Moscow, Russia | (aged 69)
Resting place | Novodevichy Cemetery, Moscow |
Occupation | Actor |
Years active | 1946–1994 |
Title | People's Artist of the USSR (1974) Hero of Socialist Labour (1990) |
Spouse | Shulamith Kushnir |
Children | 3 |
Innokenty Mikhailovich Smoktunovsky (Russian: Иннокентий Михайлович Смоктуновский; born Smoktunovich, 28 March 1925 – 3 August 1994) was a Soviet and Russian stage and film actor. He was named a People's Artist of the USSR in 1974 and a Hero of Socialist Labour in 1990.[1]
Smoktunovsky was born in a Siberian village in a peasant family of Belarusian ethnicity.[2] It was once rumored that he came from a Polish family, even nobility,[3] but the actor himself denied these theories by stating his family was Belarusian and not of nobility.[2] He served in the Red Army during World War II and fought in the battles of Kursk, the Dnieper and Kiev. In 1946, he joined a theatre in Krasnoyarsk, later moving to Moscow. In 1957, he was invited by Georgy Tovstonogov to join the Bolshoi Drama Theatre of Leningrad, where he stunned the public with his dramatic interpretation of Prince Myshkin in Dostoevsky's The Idiot. One of his best roles was the title role in Aleksey Konstantinovich Tolstoy's Tsar Fyodor Ioannovich (Maly Theatre, 1973).
His career in film was launched by Mikhail Romm's film Nine Days in One Year (1962). In 1964, he was cast in the role of Prince Hamlet in Grigori Kozintsev's celebrated screen version of Shakespeare's play, which won him praise from Laurence Olivier as well as the Lenin Prize. Many English critics even ranked the Hamlet of Smoktunovsky above the one played by Olivier, at a time when Olivier's was still considered definitive. Smoktunovsky created an integral heroic portrait, which blended together what seemed incompatible before: manly simplicity and exquisite aristocratism, kindness and caustic sarcasm, a derisive mindset and self-sacrifice.
Smoktunovsky became known to wider audiences as Yuri Detochkin in Eldar Ryazanov's detective satire Beware of the Car (1966), which revealed the actor's outstanding comic gifts. Later, he played Pyotr Ilyich Tchaikovsky in Tchaikovsky (1969), Uncle Vanya in Andrei Konchalovsky's screen version of Chekhov's play (1970), the Narrator in Andrei Tarkovsky's Mirror (1975), an old man in Anatoly Efros's On Thursday and Never Again (1977), and Salieri in Mikhail Schweitzer's Little Tragedies (1979) based on Alexander Pushkin's plays.
In 1990, Smoktunovsky won the Nika Award in the category Best Actor. He died on 3 August 1994, at a sanatorium, aged 69.[4] The minor planet 4926 Smoktunovskij was named after him.