Nowadays, Ideals (sculpture) has become a topic of great relevance and interest to a wide variety of people. From its impact on daily life to its influence on society in general, Ideals (sculpture) has been the subject of constant debate, analysis and reflection. Its relevance ranges from the field of technology to culture, including economics and politics. Ideals (sculpture) has captured the attention of people of all ages and from different professional fields, awakening an interest that goes beyond geographical and cultural borders. In this article, we will explore in depth the impact of Ideals (sculpture) on our lives and the world around us, offering a comprehensive analysis that will encompass various perspectives and approaches.
Ideals | |
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![]() The sculpture in 2015 | |
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Artist | Muriel Castanis |
Year | 1992 |
Type | Sculpture |
Medium | Bronze with green petina |
Dimensions | 1.8 m × 0.84 m × 1.1 m (6 ft × 2.75 ft × 3.5 ft); 1.8 m diameter (6 ft) |
Condition | "Well maintained" (1993) |
Location | Portland, Oregon, United States |
45°31′40″N 122°39′30″W / 45.527831°N 122.65838°W |
Ideals is an outdoor 1992 bronze sculpture by Muriel Castanis, located outside the Portland State Office Building in northeast Portland, Oregon.
Ideals was commissioned in 1991 as part of the One Percent for Art in State Buildings Collection. It was completed by Castanis in February 1992 and installed at the northwest exterior corner of the Portland State Office Building (800 Northeast Oregon Street) in the Lloyd District. The bronze with green patina sculpture measures approximately 6 feet (1.8 m) x 2.75 feet (0.84 m) x 3.5 feet (1.1 m). It rests on an aggregate base which has a diameter of approximately 6 feet (1.8 m) and weighs 850 lbs. The Smithsonian Institution categorizes the work as abstract and allegorical ("hope") and describes it as a "standing female-like figure in the form of a hooded drapery garment with no visible figure inside".[1] The Public Art Archives describes the sculpture as an "illusion of a human female form, defined by the draping and gathering of cloth rather than the positive space of the form herself".[2] The figure is illuminated by four footlights in the base and its proper left arm is raised. The piece was surveyed and considered "well maintained" by Smithsonian's "Save Outdoor Sculpture!" program in 1993. Ideals is administered by the State of Oregon's Arts Commission.[1][2]
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