Ibn Quzman

In this article, we will explore in depth the topic of Ibn Quzman, which has been the subject of much debate and interest in recent years. From its origins to its impact on today's society, through its different manifestations, this article will offer a complete and detailed vision of Ibn Quzman. Throughout the next few lines, we will analyze its implications and consequences, as well as the opinions of experts on the subject. It doesn't matter if you are an expert on Ibn Quzman or just interested in learning more about this topic, this article will provide you with valuable information and enriching perspectives.

Ibn Quzman
Born1078
Córdoba, Al-Andalus
Died1160
Córdoba, Al-Andalus
OccupationPoet
NationalityAndalusian
Notable worksDiwan of Ibn Quzman

Abu Bakr Muhammad ibn Isa Abd al-Malik ibn Isa ibn Quzman al-Zuhri (Arabic: أبو بكر محمد بن عيسى بن عبدالملك بن عيسى بن قزمان الزهري; 1087–1160)[1] was the single most famous poet in the history of Al-Andalus and he is also considered to be one of its most original.[2] One of the characteristics of his poetry was "satire, verging on the licentious, aimed at religious experts."[3] He deeply admired his "Eastern predecessor" Abu Nuwas.[4]

Life

He was born and died in Cordoba during the reign of the Almoravids, to a family of possibly Gothic origins, while according to certain scholars he was from an Arab family.[5] as his name suggests and from the fact that he described himself as being blond and blue-eyed in several of his zajals (see below).[6][3][5] After leading a lifestyle similar to that of troubadours,[7] traveling to Seville, Granada and Jaén,[3] he became a mosque imam towards the end of his life.[3]

Diwan

A zajal in Andalusi vernacular Arabic with a muwaššaḥ-like structure beginning with من يحولو ذا المليح من يدي أو يزولو كل حد يتحصر حين معي يجوز وأنا به نتخنكر داره الوروز attributed to Ibn Quzman in a leaflet found in the Cairo Geniza.[8]: 195–197 

Only 149 poems from the Diwan of Ibn Quzman appear in a manuscript in Saint Petersburg, which was the subject of a notice published in 1881. A facsimile edition of it titled Le Divan d'Ibn Guzman was published in 1896 in Berlin by Baron David von Günzburg.[9]

Most of the extant poems are zajals, the genre by which he earned his fame[10] which are characterized by their colloquial language, as well as a typical rhyming scheme: aaab cccb dddb, where b rhymes with a constantly recurring refrain of one or two lines.[11] As noted by James T. Monroe,

With one notable exception, Andalusi and North African scholars and critics, while they could not categorically deny that poet’s remarkable literary achievements, all tended to downplay them, by highlighting instead, passages from his classical Arabic production in verse and in prose (none of which has survived, aside from the handful of fragments they quote), while at the same time ignoring his zajals to the best of their ability.[3]

His approach to life as expressed in these melodious poems, together with their mixed idiom (occasionally using words of the Romance languages), shows a resemblance to the later vernacular troubadour poetry of France.[7]

Translations

The Diwan has been translated in Spanish by Federico Corriente (under the title Cancionero hispanoárabe) and in English by Monroe.

References

  1. ^ Ibn al-Abbar. Al-muqtaḍab min Kitāb Tuḥfat al-qādim. al-Andalus. p. 95.
  2. ^ Josef W. Meri, Medieval Islamic Civilization: An Encyclopedia, Routledge, 2005, p.364
  3. ^ a b c d e Christian–Muslim Relations. 2011. p. 620. ISBN 9789004216167.
  4. ^ Monroe, James T. "Why was Ibn Quzmān Not Awarded the Title of "Abū Nuwās of the West?" ('Zajal 96', the Poet, and His Critics)". Journal of Arabic Literature.
  5. ^ a b Monroe, James T. (2016). The Mischievous Muse. p. 1. ISBN 9789004323773.
  6. ^ Sánchez-Albornoz, Claudio (1975). Spain, a Historical Enigma. p. 176. ISBN 9788473920995.
  7. ^ a b Robert Kehew, Ezra Pound, William De Witt Snodgrass, Lark in the morning: the verses of the troubadours, University of Chicago Press, 2005, p.10
  8. ^ Samuel Miklos Stern. Hispano-Arabic Stroph-ic Poetry. L. P. Harvey, ed. & comp. New York. Oxford University Press. 1974.
  9. ^ Collectif, Hispano-arabic poetry, ed. Slatkine, 1974, Ch. IV The Almoravid Period, Ibn Quzman, p. 266-308 (retrieved 26-09-2011) p.XII
  10. ^ Josef W. Meri, Medieval Islamic Civilization: An Encyclopedia, Routledge, 2005, p.365
  11. ^ Gorton, T.J., "The Metre of IbnQuzman: a "Classical"Approach", Journal of Arabic Literature, 6 (1975), pp. 1-29

Further reading