In today's article we will explore the fascinating world of Hofner Blue Notes, a topic that has captured the attention of people of all ages and backgrounds. From its impact on current society to its historical relevance, Hofner Blue Notes has generated endless debates and discussions that have led to a deep analysis of its different facets. Throughout this article, we will take a look at the multiple dimensions of Hofner Blue Notes, its implications in various areas and its influence on the course of history. Join us on this journey of discovery and reflection about Hofner Blue Notes.
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Hofner Blue Notes | ||||
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Studio album by | ||||
Released | 28 July 2003 | |||
Genre | Blues | |||
Length | 50:29 | |||
Label | Jazzee Blue | |||
Producer | Kiadan Quinn | |||
Chris Rea chronology | ||||
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Hofner Blue Notes is the nineteenth studio album by British singer-songwriter Chris Rea, released in 2003 by his own record label, Jazzee Blue.[1] The album was part of series of largely instrumental blues and jazz albums released by his label Jazzee Blue and mostly fronted by his band members,[2] of which this album was preceded by Rea's eighteenth studio and instrumental album Blue Street (Five Guitars) in 2003.[3]
The album was part of Hofner Blue Notes, a project about Höfner guitar because Rea's first electric guitar was a 1961 Höfner V3 bought from a second-hand shop while he was working in his father's ice cream factory in early 1970s, and continued with The Return of the Fabulous Hofner Bluenotes in 2008.[4]