In today's world, Heinz Tesar has become a topic of general interest. With the advancement of technology and globalization, Heinz Tesar has acquired increasing relevance in different areas of society. Whether in the academic, work, social or cultural field, Heinz Tesar has become a topic of constant conversation and debate. The importance of Heinz Tesar has led to numerous studies and research being carried out on it, with the aim of better understanding its impact and finding ways to address it effectively. In this article, we will explore the meaning and importance of Heinz Tesar in the current context, as well as its influence on our daily lives.
Austrian architect (1939–2024)
Heinz Tesar (16 June 1939 – 18 January 2024) was an Austrian architect who had an international reputation for his church and museum architecture.[1]
Life and career
Tesar studied architecture from 1961 to 1965 at the Akademie der bildenden Künste in the master class of Roland Rainer. After several stays in Hamburg (1959–1961), Munich (1965–1968) and Amsterdam (1971), he opened, in 1973, his own studio in Vienna. From 1972 to 1977 he was a member of the Board of the Austrian Society for Architecture and from 2002 to 2006 he was a member of the Baukollegium of the city of Zurich. In 2000 he opened an office in Berlin. Tesar died on 18 January 2023, at the age of 84.[2]
Academic career
From the 1980s, he taught at various universities in Europe and America:
For various international competition entries he received the first or second prize: e.g. for Klösterliareal in Bern (1981), the University Library in Amiens (1991), the Synagogue in Dresden (1997), the Museum for Art and Design in Ingolstadt (2000) and the Museum of Medicine in Padua, Italy (2004).
1994 Stadttheater / cinema and museum, Hallein, (the conversion of Wunibald Deininger building which was erected in 1925 – Deininger was a student of Otto Wagner)