This article will address the topic of Heinrich Bellermann, which represents a fundamental aspect in people's lives. Since time immemorial, Heinrich Bellermann has been the object of study, debate and reflection, due to its impact on various areas of society. Throughout history, Heinrich Bellermann has played a crucial role in the development of humanity, influencing the way people interact, think, and relate to each other. Therefore, it is essential to delve into the different aspects that Heinrich Bellermann encompasses, from its origins to its relevance today, in order to understand its importance and significance in the contemporary context.
This article relies largely or entirely on a single source. (December 2009) |
Johann Gottfried Heinrich Bellermann (10 March 1832 – 10 April 1903) was a German music theorist. He was the author of Der Contrapunkt ("Counterpoint"), 1862, (Berlin, Verlag von Julius Springer—2nd ed., 1877; 3rd ed., 1887; 4th ed., 1901), and Die Grösse der musikalischen Intervalle als Grundlage der Harmonie ("The size of musical intervals as the foundation of harmony"), 1873 (Berlin, J. Springer).
Bellermann may be regarded as an influence on the Second Viennese School, as his Counterpoint was used by Arnold Schoenberg when teaching composition to pupils such as Alban Berg and Anton Webern.[1]
In addition to his theoretical work, Bellermann was also an active composer, especially for voices.
Catalog Entry for Bellermann at the German National Library (in German)