In today's world, Hands Across the Rockies has become a topic of great relevance and interest to a wide spectrum of people. Whether due to its impact on society, its historical relevance or its influence in different areas, Hands Across the Rockies has captured the attention and curiosity of individuals of all ages and professions. Over the years, Hands Across the Rockies has been the subject of debate, analysis and study, generating a large amount of information and opinions about it. In this article, we will explore the different aspects, perspectives and possible implications of Hands Across the Rockies, addressing its importance from various perspectives and offering a comprehensive view of the topic.
Hands Across the Rockies | |
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![]() Theatrical release poster | |
Directed by | Lambert Hillyer |
Screenplay by | Paul Franklin |
Story by | A Gunsmoke Case for Major Cain by Norbert Davis |
Produced by | Leon Barsha |
Starring | Wild Bill Elliott Dub Taylor Kenneth MacDonald |
Cinematography | Benjamin H. Kline |
Edited by | Mel Thorsen |
Color process | Black and white |
Production company | |
Distributed by | Columbia Pictures |
Release date |
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Running time | 56 minutes |
Country | United States |
Language | English |
Hands Across the Rockies is a 1941 American western film directed by Lambert Hillyer and starring Wild Bill Elliott, Dub Taylor and Kenneth MacDonald.[1][2][3] It is the sixth in Columbia Pictures' series of 12 "Wild Bill Hickok" films, followed by King of Dodge City.[4]
Wild Bill Hickok (Bill Elliott) and Cannonball (Dub Taylor) help two young people in love (Mary Daily and Stanley Brown) and bring the murderer (Kenneth MacDonald) of Cannonball's father to justice.