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Halfway Between the Gutter and the Stars | ||||
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Studio album by | ||||
Released | 6 November 2000 | |||
Genre | ||||
Length | 68:14 | |||
Label | ||||
Producer | Fatboy Slim | |||
Fatboy Slim chronology | ||||
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Singles from Halfway Between the Gutter and the Stars | ||||
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Halfway Between the Gutter and the Stars is the third studio album by English electronic music producer Fatboy Slim. It was first released on 6 November 2000 in the United Kingdom by Skint Records and a day later in the United States by Astralwerks. The album features contributions from Macy Gray, Ashley Slater, Bootsy Collins, Roland Clark, and Roger Sanchez, and its title, referenced in the song "Weapon of Choice", is an allusion to the Oscar Wilde quote "We are all in the gutter, but some of us are looking at the stars."
An edited version also exists, which removes "Star 69" (due to the song's recurring use of the word "fuck", which is the sole reason for obtaining a Parental Advisory label), and removes the song's reprise used in "Song for Shelter".[citation needed] The artwork is also cropped to cut off right before the leg gap, (presumably for the subject likely being nude) and has a mark saying "Kiddies' Clean Version", similar in design to the Parental Advisory label on normal copies.[1]
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 64/100[2] |
Review scores | |
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Entertainment Weekly | B−[4] |
Los Angeles Times | ![]() ![]() ![]() ![]() |
Melody Maker | ![]() ![]() ![]() ![]() ![]() |
NME | 9/10[7] |
Pitchfork | 4.2/10[8] |
Q | ![]() ![]() ![]() ![]() ![]() |
Rolling Stone | ![]() ![]() ![]() ![]() ![]() |
Spin | 6/10[11] |
The Village Voice | A−[12] |
Halfway Between the Gutter and the Stars received generally positive reviews.[2] Robert Christgau of The Village Voice wrote "this is where Norman Cook achieves the nonstop stupidity breakbeats alone could never bring him", calling it "All shallow, all pure as a result—pure escape, pure delight, and, as the cavalcade of gospel postures at the end makes clear, pure spiritual yearning. Transcendence, we all want it."[12] The A.V. Club called it "a big load of disposable fun and funk that's fluffier than cotton candy and just as weighty".[13]
Pitchfork wrote, "After enjoying a few years of relative popularity, it seems big-beat's appeal and relevance are waning. After listening to Slim's latest, Halfway Between the Gutter and the Stars, it seems we've reached come-down time. And surprise! It's no fun at all ... The problem lies more with the everchanging landscape of electronic music and the dying big-beat genre than it does with his technical skill."[8] Entertainment Weekly called it "Melodically repetitive, the songs only intermittently approach the energizing highs of earlier Fatboy cuts."[4] Spin called it a "post-masterpiece puzzler where the kicks just keep getting harder to find, spread-eagle between pop limitations and artistic aspirations."[11] In 2006, Tim O'Neil of PopMatters said the album was "extremely underrated".[14]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Talking Bout My Baby" |
| 3:43 |
2. | "Star 69" |
| 5:43 |
3. | "Sunset (Bird of Prey)" |
| 6:49 |
4. | "Love Life" (featuring Macy Gray) | 6:58 | |
5. | "Ya Mama" | 5:38 | |
6. | "Mad Flava" | Cook | 4:33 |
7. | "Retox" (featuring Ashley Slater) | Cook | 5:17 |
8. | "Weapon of Choice" (featuring Bootsy Collins) |
| 5:45 |
9. | "Drop the Hate" | Cook | 5:30 |
10. | "Demons" (featuring Macy Gray) |
| 6:52 |
11. | "Song for Shelter" (featuring Roland Clark and Roger Sanchez; includes the hidden track "Talking 'bout My Baby (Reprise)") |
| 11:26 |
Total length: | 68:14 |
Sample credits[15]
Chart (2000–01) | Peak position |
---|---|
Australian Albums (ARIA)[16] | 6 |
Australian Dance Albums (ARIA)[17] | 2 |
Austrian Albums (Ö3 Austria)[18] | 22 |
Belgian Albums (Ultratop Flanders)[19] | 30 |
Canadian Albums (Nielsen Soundscan)[20] | 23 |
Dutch Albums (Album Top 100)[21] | 64 |
Finnish Albums (Suomen virallinen lista)[22] | 39 |
French Albums (SNEP)[23] | 21 |
German Albums (Offizielle Top 100)[24] | 23 |
Italian Albums (FIMI)[25] | 30 |
New Zealand Albums (RMNZ)[26] | 10 |
Norwegian Albums (VG-lista)[27] | 23 |
Scottish Albums (OCC)[28] | 11 |
Swedish Albums (Sverigetopplistan)[29] | 49 |
Swiss Albums (Schweizer Hitparade)[30] | 35 |
UK Albums (OCC)[31] | 8 |
UK Independent Albums (OCC)[32] | 1 |
US Billboard 200[33] | 51 |
US Top Dance/Electronic Albums (Billboard)[34] | 11 |
Chart (2000) | Position |
---|---|
Australian Albums (ARIA)[35] | 71 |
Chart (2001) | Position |
UK Albums (OCC)[36] | 186 |
Chart (2002) | Position |
UK Albums (OCC)[37] | 168 |
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA)[38] | Gold | 35,000^ |
Japan (RIAJ)[39] | Gold | 100,000^ |
New Zealand (RMNZ)[40] | Platinum | 15,000^ |
United Kingdom (BPI)[41] | Platinum | 300,000^ |
United States | — | 278,000[42] |
^ Shipments figures based on certification alone. |
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