In this article, we will explore the topic of Half-A-Dollar-Bill in depth, addressing its origins, its relevance today, and the possible implications it has for various aspects of society. From its first manifestations to its effects on the contemporary world, Half-A-Dollar-Bill has aroused the interest of academics, experts and ordinary people due to its impact on culture, economics and politics. Throughout these pages, we will examine different perspectives to offer a complete and objective view on Half-A-Dollar-Bill, with the purpose of enriching our readers' knowledge and promoting informed dialogue on this fascinating topic.
Half-A-Dollar-Bill | |
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Directed by | W. S. Van Dyke |
Written by | Max Graf (adaptation) Alfred A. Cohn (intertitles) |
Story by | Curtis Benton |
Produced by | Max Graf |
Starring | Anna Q. Nilsson |
Cinematography | Andre Barlatier French Wikipedia |
Distributed by | Metro Pictures |
Release date |
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Running time | 60 minutes |
Country | United States |
Language | Silent (English intertitles) |
Half-A-Dollar-Bill is a surviving[1] 1924 American silent drama film directed by W. S. Van Dyke and starring Anna Q. Nilsson. It was produced by an independent company and released through Metro Pictures.[2][3]
As described in a film magazine review,[4] Captain Duncan McTeague, ashore in Southport, finds a deserted baby boy with a note and half of a dollar bill pinned to its clothing. The note states that the mother hopes some day to return and identify the child with the other half of the dollar bill. McTeague raises the child. When he is four years old, the captain discharges his mate Martin Webber, who seeks revenge by kidnapping the boy. A woman turns up who proves to be the missing mother. Webber is killed and the mother and Captain McTeague are united.
A copy of Half-A-Dollar-Bill was preserved by MGM labs and a print is held by the Cinematheque Royale de Belgique.[5]