In today's world, Goscombe John is a topic that has captured the attention of people of all ages and backgrounds. Since its appearance, Goscombe John has generated great interest and debate, becoming a recurring topic of conversation in society. Whether due to its impact on popular culture, its relevance in history, or its influence in the scientific field, Goscombe John has managed to transcend barriers and stand out as a topic of relevance for various sectors. In this article, we will thoroughly explore the phenomenon of Goscombe John and analyze its meaning and implications today.
Goscombe John | |
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Born | Cardiff, Wales | 21 February 1860
Died | 15 December 1952 London, England | (aged 92)
Education | |
Known for | Sculpture |
Movement | New Sculpture |
Spouse |
Martha Weiss
(m. 1891; died 1923) |
Awards | Knight Bachelor (1911) |
Sir William Goscombe John RA (21 February 1860 – 15 December 1952[1]) was a prolific Welsh sculptor known for his many public memorials. As a sculptor, John developed a distinctive style of his own while respecting classical traditions and forms of sculpture. He gained national attention with statues of eminent Victorians in London and Cardiff and subsequently, after both the Second Boer War and World War I, created a large number of war memorials. These included the two large group works, The Response 1914 in Newcastle upon Tyne and the Port Sunlight War Memorial which are considered the finest sculptural ensembles on any British monument.[2][3] Although as a young man he adopted the first name Goscombe, taken from the name of a village in Gloucestershire near his mother's home, he was actively engaged with his native Wales and Welsh culture throughout his career.[3][4]
John was born in the Canton area of Cardiff, the eldest son of Thomas John, a wood carver from Llantrithyd and Elizabeth (née Smith), from Randwick, Gloucestershire.[5][1]
As a youth John assisted his father in the restoration of Cardiff Castle and Castell Coch during 1874 which was being overseen by William Burges.[1][6] He initially studied in his home town, attending the Cardiff School of Art throughout the 1870s and also took anatomy classes from a local painter.[1]
John moved to London in 1881 and worked as a pupil-assistant in the studio of Thomas Nicholls, Burges' architectural carver.[6][7] John then studied at the South London School of Technical Art under Jules Dalou and William Silver Frith and then at the Royal Academy Schools, where he won the gold medal and a travelling scholarship in 1887.[8][6] Throughout 1890 and 1891 he travelled in Europe and Africa and, in 1891, took a studio in Paris where he studied with Auguste Rodin.[1][8] John's statuette, Morpheus clearly reflected the influence of Rodin on his development and the piece received an honourable mention when shown at the Paris Salon in 1892.[9][3][10] Following the success of Morpheus, John created a series of exhibition pieces that embraced the naturalistic style of the New Sculpture movement and cemented his reputation.[10] John the Baptist, 1894, a life-sized figure cast in block tin for Lord Bute won a gold medal at the 1900 Paris Exhibition.[3][1]
Other notable works from this period included Girl Binding her Hair, 1893, The Elf, 1898 and A Boy at Play, 1895.[10] A Boy at Play was subsequently purchased by the Chantrey Bequest for the Tate.[11] The Elf was highly praised when shown at the Royal Academy in 1898 and was subsequently reproduced both in bronze and marble to become among John's most popular works.[9] John received gold medals from the Paris Salon in 1892 and, for his statue of the Duke of Devonshire, in 1901.[3]
By the early 1900s John had established himself as a sculptor of some note and began to receive significant public commissions.[10][7] Although based in London, John won a number of large commissions in his native Wales. He designed the Hirlas Horn for the 1898 National Eisteddfod of Wales and a set of ceremonial tools to mark the building of the National Museum Wales in Cardiff.[1] For the monument, unveiled in 1899 and known as The Girl, to Welsh poets and preachers at Llansannan, John depicted a girl in modern clothing wrapped in a traditional Welsh cloak.[4] The creation of that monument had been promoted by the Welsh nationalist Thomas Edward Ellis and when he died, also in 1899, John was selected to sculpt his memorial statue which was unveiled at Bala in 1903 by David Lloyd George.[4] John's statue of the shipping magnate and philanthropist John Cory was erected in Cathays Park in the centre of Cardiff and is one of several statues by him in, or near, the park. These include the 1906 bronze statue of Lord Tredegar which was John's first equestrian statue.[9] His 1916 marble St David Blessing the People is also nearby in the Marble Hall of Cardiff City Hall.[10][12]
John received a further number of national and international commissions, including several for war memorials. John's 1905 King's Regiment Boer War memorial in St John's Gardens, Liverpool depicts two soldiers of the regiment from different historical periods, one from the 17th century and one from the Boer War period, around a figure of Britannia on a pedestal.[2] John created a similar representation of a regiment's heroic traditions for the 1924 Royal Welch Fusiliers memorial at Wrexham which features statues of 18th and 20th century soldiers.[2] On the reverse of the Liverpool monument is a sculpture featuring a regimental drummer boy of 1743. This was subsequently cast as a separate, small bronze in an edition for the retail market and became a popular purchase while a monumental version was also cast and is held by the National Museum Wales.[13]
Before the outbreak of the First World War, John had been commissioned to create a memorial to the 244 engineers who had died with the sinking of the RMS Titanic in 1912.[4] When the monument was completed in 1916, and erected in Liverpool, it was dedicated to all engineers and engine room workers lost at sea, including those killed during the war.[4]
John was commissioned by Lord Leverhulme to design a memorial at Port Sunlight to the 500 plus employees of Lever Brothers Ltd who had died in the First World War.[2] John exhibited a variety of sketches and maquettes for the memorial at the Royal Academy in 1919 and 1920 but left the final selection of figures to Leverhulme.[14] The monument consists of a cross on an octagonal base on an elevated podium. There are large bronze sculptural groups with a total of 11 figures and 12 relief panels on the podium. The main sculpture group shows three soldiers, one shielding a child and one lying wounded with a figure of a nurse approaching him.[14] The sculptural group on the rear of the podium consists of a mother figure with infants and other children. The relief panels on the podium sides show pairs of children carrying wreaths plus panels showing combat scenes including machine gunners in a trench and action stations on the bridge of a warship.[2] The monument was greatly praised for its depiction of military and civilian roles, Nicholas Pevsner described the monument as "genuinely moving and avoids sentimentality".[14]
The Port Sunlight memorial was unveiled in 1921, two years before John's Northumberland Fusiliers Memorial was erected in Newcastle upon Tyne. Known as "The Response 1914" the monument was commissioned to mark the raising of four battalions of volunteers by the local Chamber of Commerce at the start of World War I.[15] In bronze, John created a procession of deep-relief figures representing the volunteers and those they were leaving behind. The procession is led a winged angel, an allegory of renown, blowing a horn above two drummer boys followed by uniformed soldiers and men in civilian clothes, some of whom are saying goodbye to women and children.[15] Although created several years after the end of the war, the monument illustrates the mood of patriotic confidence and resolve that had marked a period at the start of the conflict ten years earlier and makes the work deeply poignant.[2] Writing in 1991, Alan Borg, a former director of the Imperial War Museum described the Port Sunlight and Newcastle memorials as the finest sculptural ensembles on any British monument.[2]
John was made a Royal Academician in 1909 and became a corresponding member of the Institut de France.[8][11] He first exhibited at the Royal Academy in London in 1886 and continued to do so annually until 1948.[1] In 1942 he was awarded the gold medal of the Royal Society of Sculptors.[11] He was knighted at Caernarfon Castle in 1911 during the investiture of Edward VIII as the Prince of Wales for which he designed elements of the regalia and a medal.[4] John was influential in the development of the National Museum of Wales, having served on its governing council for over forty years and donated numerous art works to the Museum.[10]
In August 1890, John married the Swiss-born Marthe Weiss.[1] Their daughter Muriel married Luke Val Fildes in 1915, the son of the artist Sir Luke Fildes.[16] From 1892 John lived at Greville Road, Kilburn, London (in a house that had previously belonged to Seymour Lucas), and is buried in Hampstead Cemetery.[17] The memorial statue of his wife, which he designed when she died in 1923, was stolen from the cemetery in 2001 and recovered after a few months; it was then put into storage, but was stolen again in 2007.[18]
Image | Title / subject | Location and coordinates |
Date | Type | Material | Dimensions | Designation | Wikidata | Notes |
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Memorial to W.R.H Powell | Llanboidy, Carmarthenshire | 1891 | Statue | White marble | Grade II* | Q17742263 | [19] | |
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Age | Lady Lever Art Gallery | 1892 | Bust | Subject is Clara Weiss, the artist's mother-in-law | ||||
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A Boy at Play | Tate Britain, London | c. 1895 | Statue on base | Bronze & stone | [20] | |||
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Daniel Owen | Mold, Flintshire | c.1896, repositioned 1976 | Statue on pedestal | Bronze & stone | Grade II | Q29480968 | [21][22][12] | |
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The Elf | Kibble Palace, Botanic Gardens, Glasgow | 1899 | Statue on plinth | Marble | 2.25m high | Q84322910 | One of several versions in different materials[23][9] | |
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The Girl Tudur Aled |
Llansannan, Conwy | 1899 | Statue on obelisk & plinth | Bronze & stone | Grade II | Q29499309 | Monument to Welsh poets and preachers.[12][24][25] | |
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Joyance | Thompson's Park, Cardiff | 1899 | Statue | Bronze | Q47494806 | Also at St Fagans National Museum of History
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Image | Title / subject | Location and coordinates |
Date | Type | Material | Dimensions | Designation | Wikidata | Notes |
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Tomb of Dean Charles Vaughan | North choir-aisle of Llandaff Cathedral | 1900 | Tomb with sculpture | Marble | [28] | |||
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William Cavendish, 7th Duke of Devonshire | Devonshire Place, Eastbourne | 1901 | Statue on plinth | Bronze & stone | Grade II | Q26295681 | [12][29][6] | |
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Memorial to Arthur Sullivan | Victoria Embankment Gardens, London | 1902 | Bust and figure on pedestal | Bronze & granite | Grade II | Q27081637 | [12][30] | |
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Memorial to Arthur Sullivan | St Paul's Cathedral, London | 1902 | Relief plaque | Bronze | [31] | |||
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Alfred Thomas, 1st Baron Pontypridd | National Museum Cardiff | 1902 | Bust | Marble | [32] | |||
Wigan and District Boer War memorial | Mesnes Park, Wigan | 1903 | Sculpture on plinth | Stone with bronze additions | Removed after repeated vandalism.[33] | ||||
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James Reid (1823–1894) | Springburn Park, Glasgow | 1903 | Statue on pedestal | Bronze & granite | Category B | Q17811051 | [34] | |
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Prince Christian Victor of Schleswig-Holstein | Thames Street, Windsor, Berkshire | 1903 | Statue and surround | Bronze & Portland stone | Grade II | Q26411185 | [35] | |
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Thomas Edward Ellis | Bala, Gwynedd | 1903 | Statue on plinth with panels | Bronze & sandstone | c. 4.5m high | Grade II | Q29502898 | A full-size copy is at the Old College, Aberystwyth[12][36] |
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Coldstream Guards Boer War memorial | Vestibule of south nave, St Paul's Cathedral, London | 1904 | Plaque in deep relief | Gilt bronze & stone | 1.5m x 0.9m | [37] | ||
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RAMC Boer War Memorial | Gun Hill, Aldershot | 1905 | Sculpture group, obelisk and wall with plaques | Bronze & granite | Grade II | Q26672950 | Architect, Robert Weir Schultz[38][39] | |
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Memorial to Alfred W. Hughes | Corris, Gwynedd | 1905 | Celtic cross on pedestal with a bronze plaque | Granite | Grade II | Q2949920 | [12][40][41] | |
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The King's Regiment memorial | St John's Gardens, Liverpool | 1905 | 4 statues with base, pedestal & wall | Bronze & stone | Grade II | Q26333154 | AB Burton (foundry); William Kirkpatrick Ltd (builders)[2][12][42][43][6] | |
Journalists of the South African War memorial | Crypt of St. Faith, St Paul's Cathedral, London | 1905 | Relief plaque with surround | Bronze and red limestone | [44][45] | ||||
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Edward VII | Grand Parade, Cape Town, South Africa | 1905 | Statue on pedestal and steps | Marble & granite | 9m tall | Q19623378 | [46] | |
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Bokani | National Museum Cardiff | 1905 | Bust | Bronze | 35cm | [47] | ||
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John Cory | Gorsedd Gardens, Cathays Park, Cardiff | 1906 | Statue on pedestal | Bronze & stone | Grade II | Q29491668 | [12][48][49] | |
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John Cory | National Museum Cardiff | 1906 | Bust | Marble | 70.0cm | [50] | ||
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Judge Gwilym Williams of Miskin (1839–1906) | Opposite Crown Court, Cathays Park, Cardiff | 1906 | Statue on plinth | Bronze & stone | Grade II | Q29491700 | [51][52] | |
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Memorial to 2nd Battn Royal Sussex Regiment, 1882 to 1902 | Grand Parade, Eastbourne | 1906 | Statue on pedestal | Bronze & stone | Grade II* | Q17555428 | AB Burton (foundry)[12][53][54] | |
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John Viriamu Jones | Entrance hall, Main Building of Cardiff University, Cathays Park | 1906 | Statue on pedestal | Marble | [55] | |||
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William Edward Hartpole Lecky | Trinity College, Dublin | 1906 | Statue on pedestal | Bronze & stone | Q82094233 | |||
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Bishop Richard Lewis | Llandaff Cathedral, Cardiff | 1908 | Wall-mounted statue with plaque | Bronze | [56] | |||
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Godfrey Morgan, 1st Viscount Tredegar | Gorsedd Gardens, Cathays Park, Cardiff | 1909 | Equestrian statue on pedestal with reliefs | Bronze & stone | Grade II | Q29491649 | [12][9][57] | |
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Robert Gascoyne-Cecil, 3rd Marquess of Salisbury | Westminster Abbey, London | 1909 | Altar & effigy | Black marble & bronze | [58] | |||
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Godfrey Morgan, 1st Viscount Tredegar | Newport Museum and Art Gallery | 1909 | Bust on pedestal | Marble |
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Image | Title / subject | Location and coordinates |
Date | Type | Material | Dimensions | Designation | Wikidata | Notes |
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Sir James Fergusson, 6th Baronet | Wellington Square, Ayr | 1910 | Statue on pedestal | Bronze & stone | Category B | Q17838501 | [59][60] | |
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Edward James Saunderson | Portadown, County Armagh | 1910 | Statue on pedestal | Bronze & stone | [61] | |||
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The Boy Scout | National Museum Cardiff | 1910 | Statuette | Bronze | Portrait of Basil Webb, son of Henry Webb, and who served as a 2nd lieutenant with the Welsh Guards during the First World War and was killed in December 1917.[62] | |||
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Lewis Edwards memorial | Pen-llwyn, Ceredigion | 1911 | Bust on pedestal | Bronze & granite | Grade II | Q29501128 | [63] | |
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Statue of Charles Rolls | Agincourt Square, Monmouth | 1911 | Statue on pedestal | Bronze & granite | Grade II* | Q7604480 | [12][64] | |
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Thomas Sutton | Charterhouse School, Surrey | 1911 | Statue on plinth with plaques | Bronze & stone | Grade II | Q26296559 | [65] | |
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An Indian Procession known as The Minto Panels | Victoria Memorial, Kolkata | 1913 | Four deep-relief panels | Bronze | Q126372403 | Previously on the pedestal to John's statue of Gilbert Elliot-Murray-Kynynmound, 4th Earl of Minto, the panels are now located on and near to the base of the statue of Queen Victoria by George Frampton[66][67] | ||
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Memorial to the Engine Room Heroes of the Titanic | Pier Head, Liverpool | 1916 | Obelisk with statues | Bronze & stone | Grade II* | Q3305518 | [2][68][69] | |
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Edward VII | Pier Head, Liverpool | 1916 | Equestrian statue on pedestal | Bronze | Grade II | Q26320984 | [70][8] | |
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Saint David Blessing the People | The Marble Hall, Cardiff City Hall | 1916 | Statue on pedestal | Marble | [9][71] | |||
Lieutenant Colonel A. Carteret-Thynne DSO | Parish Church of St. James the Great, Kilkhampton, Cornwall | 1917 | Tablet with figure & plaque | Marble & bronze | Carteret-Thynne was killed in action in 1917, having also served in the South African War.[72] | ||||
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Statue of Viscount Wolseley | Horse Guards Parade, London | 1917 | Equestrian statue on pedestal | Bronze & Portland stone | Grade II | Q18159880 | [8][12][73][6][11][74] | |
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Lord Ninian Crichton-Stuart | Cathays Park, Cardiff | 1917 | Statue on plinth | Bronze & stone | Grade II | Q29491669 | [75] | |
Capt H B Knott and Major J L Knott DSO | St Andrew's Church, Heddon-on-the-Wall, Northumberland | 1918 | Tablet with relief figures | Marble | 1.2m by 1.5m | [76]
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Image | Title / subject | Location and coordinates |
Date | Type | Material | Dimensions | Designation | Wikidata | Notes |
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Caradog, Griffith Rhys Jones | Victoria Square, Aberdare | 1920 | Statue on pedestal | Bronze & stone | Grade II | Q29489462 | [12][77] | |
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Evelyn Baring, 1st Earl of Cromer | Westminster Abbey, London | 1920 | Plaque with medallion portrait | Marble | [78] | |||
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War memorial | Bryn Square, Lampeter | 1921 | Statue on pedestal and raised terrace | Bronze & granite | 4.5m high | Grade II | Q29489055 | Terrace & wall designed by Llewllyn Bankes-Price[2][79][80] |
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Port Sunlight War Memorial | Port Sunlight, Merseyside | 1921 | Celtic Cross on an octagonal podium with eleven sculptured figures and twelve relief panels. | Bronze & granite | 11.5m high | Grade I | Q15979246 | AB Burton (foundry); William Kirkpatrick Ltd (builders)[2][14][81][82][83] |
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David Lloyd George | National Museum Cardiff | 1921 | Bust | Bronze, marble base | 35.5cm | [84] | ||
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David Lloyd George | Castle Square, Caernarfon | 1921 | Statue on plinth | Bronze & stone | Grade II | Q29483625 | AB Burton (foundry); Base by J Fletcher of Caernarfon.[12][85] | |
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Sir Stanley Maude | Baghdad, Iraq | 1921 | Equestrian statue | Bronze | Pedestal by Edward Prioleau Warren, destroyed c. 1958[3] | |||
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Statue of Sir John Tomlinson Brunner | Grounds of Brunner-Mond works, Winnington, Cheshire | 1922 | Statue on pedestal | Bronze & granite | Grade II | Q15979536 | [12][86][87] | |
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Thomas Charles Edwards | Old College, Aberystwyth | 1922 | Statue on pedestal | Bronze & granite | Grade II | Q29488944 | AB Burton (foundry)[12][88][89] | |
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War memorial | Town Hall Gardens, Llanelli | 1923 | Relief panel and cenotaph | Bronze & granite | Grade II | Q29490305 | [90][91] | |
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Northumberland Fusiliers Memorial "The Response 1914" | Barras Bridge, Newcastle upon Tyne | 1923 | Bronze relief figures on a granite base with three granite figures on the reverse | Bronze & granite | Grade I | Q17552582 | AB Burton (foundry); William Kirkpatrick Ltd (builders)[2][92][15][83] | |
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War memorial | Alexandra Gardens, Penarth | 1924 | Obelisk-mounted sculpture on stepped plinth | Bronze & granite | Grade II | Q29491428 | [93][94] | |
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Royal Welch Fusiliers memorial | Junction of Bodhfryd Rd. & Chester Rd., Wrexham | 1924 | Twin sculptures on pedestal | Bronze & stone | Grade II | Q29481992 | [2][95][96] | |
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Carmarthen County war memorial | Priory Street, Carmarthen | 1924 | Statue on pedestal and plinth | Bronze & Portland stone | 4.5m high | Grade II | Q29504987 | [97][98] |
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Llandaff Cathedral School war memorial | Cathedral Green, Llandaff, Cardiff | 1924 | 3 Sculptures on pedestals | Bronze & stone | Grade II | Q29491677 | [2][4][83][99][100] | |
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Tomb of Lord and Lady Leverhulme | Christ Church, Port Sunlight | c. 1925 | Pair of chest tombs with effigies | Bronze and black marble | Grade II* | [101] | ||
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James Rice Buckley | Cathedral Green, Llandaff | 1927 | Statue on pedestal | Bronze & granite | Grade II | Q29491672 | [12][102] | |
Basil Webb | Crypt of Lady Chapel, Hereford Cathedral | Reredos with figures of 3 saints | Basil Webb was the son of Henry Webb who funded the memorial.[103]
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Image | Title / subject | Location and coordinates |
Date | Type | Material | Dimensions | Designation | Wikidata | Notes |
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Evan James & James James | Ynysangharad Park, Pontypridd | 1930 | Two statues on plinths | Bronze | Grade II* | Q17743403 | [12][104][105][106] | |
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Seymour Berry, 1st Baron Buckland | Outside Central Library, Merthyr Tydfil | 1931 | Statue on pedestal | Bronze & stone | Grade II | Q29489898 | [12][107] | |
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Bishop Edward Bevan | Brecon Cathedral, Powys | 1935 | Effigy on base | Bronze and stone | Grade 1 | [108] | ||
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George V | Entrance to Queensway Tunnel, Liverpool | 1939 | Statue | Bronze | ||||
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Queen Mary | Entrance to Queensway Tunnel, Liverpool | 1939 | Statue | Bronze | ||||
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Bishop Joshua Pritchard Hughes | Llandaff Cathedral, Cardiff | 1940 | Plaque | Bronze | [109]
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John exhibited medals on at least seven occasions at the Royal Academy between 1898 and 1918.[16] He designed the medal for the 1911 investiture of Edward VIII as Prince of Wales and the King George V Silver Jubilee Medal in 1935.[8][110] During his career John also produced medals and seals for several organisations in Wales. These included medal designs for the Cardiff School of Art and the Welsh Nursing Association plus seals for the National Museum Wales, the Merthyr Tydfil Corporation and the Church of Wales.[111] For the National Eisteddfod Association he designed a medal with bardic images.[4][111]
John's output was prolific and also includes monuments to Lord Salisbury in Westminster Abbey and at St Etheldreda's Church, Hatfield.[3][8] John's output also included: