In today's world, Giuliana De Sio continues to be a topic of interest, debate and reflection for many people. Its relevance has endured over time, and its impact can be seen in different contexts and situations. From its influence on society to its importance in culture, Giuliana De Sio has left a significant mark that deserves to be explored and analyzed. Throughout this article, we will closely examine the role and relevance of Giuliana De Sio, with the aim of delving deeper into its meaning and understanding its impact on the modern world.
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Giuliana De Sio | |
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Born | Salerno, Italy | 2 April 1957
Occupation | Actress |
Years active | 1976–present |
Giuliana De Sio (born 2 April 1957) is an Italian actress, the younger sister of pop-folk singer Teresa De Sio. She won two David di Donatello for Best Actress and different Nastro d'Argento for Best Actress.
Giuliana De Sio was born in Salerno and grew up in Cava de' Tirreni, where her family is originally from. De Sio's first public appearance was when she was five years old in a show at Teatro Verdi in Salerno. She moved to Terrasini when she was eighteen to live in a hippy commune before relocating to Rome, where she befriended Teresa Ann Savoy and Alessandro Haber, who encouraged her to take up acting. Her professional debut was in 1976 when Gianni Bongiovanni choose her for the RAI TV film Una donna. Elio Petri then gave her a part in Mani sporche and Tonino Cervi choose her to star in Il malato immaginario together with Alberto Sordi.
In the early 1980s she met with Massimo Troisi, who cast her in a major role in his second film, Scusate il ritardo (1982). She later worked with Francesco Nuti in The Pool Hustlers (1982) and Casablanca Casablanca (1985).
She is an atheist[1] but admires Pope Francis and Saint Januarius.[2]
In March 2020, she was reported to have tested positive for COVID-19,[3][4][5] but recovered after a few days.[6]