In this article we are going to delve into the topic of Gentleman's Blues, an aspect that has gained great relevance in recent times. Gentleman's Blues has been the subject of debate and study in various fields, from psychology to politics, including sociology and economics. Its impact on society and daily life is undeniable, and that is why it is of great importance to thoroughly understand its implications and possible consequences. Throughout this article, we will explore different perspectives on Gentleman's Blues, analyze its evolution over time, and reflect on the role it plays today. Without a doubt, Gentleman's Blues is a topic that arouses the interest of many people, and we are sure that this reading will be very useful for those who wish to deepen their understanding.
Gentleman's Blues | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | August 25, 1998 | |||
Genre | Alternative rock | |||
Length | 73:02 | |||
Label | Virgin | |||
Producer | Don Smith[1] | |||
Cracker chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The New Rolling Stone Album Guide | ![]() ![]() ![]() ![]() ![]() |
Gentleman's Blues is Cracker's fourth studio album.[4][5] It was released in 1998 by Virgin Records.[6][7]
Cracker frontman David Lowery said that the album's name arose when guitarist Johnny Hickman heard him playing a tune on the piano and observed that it sounded like an old Southern gentleman trying to play the blues.[8]
The Chicago Tribune wrote: "The gospel-tinged rocker 'Seven Days' showcases Lowery's way with a punchy chorus; 'James River' and the spooky title track find him delving deeper into dirgy, swampy blues; and Johnny Hickman continues to provide muscle and sinew with his crackling guitar leads and rootsier song contributions."[9] The Rough Guide to Rock called the album a return "to American rock fundamentals with something approaching resignation, perhaps even nostalgia."[10] The Los Angeles Times thought that "Hickman’s stellar, nuanced guitar work fluidly adapts to twangy rockers and dreamlike ballads, while Lowery’s nasal rasp gives voice to characters with good lives and bad, who invariably carry one of his most consistent messages: You control your destiny, so quit whining and face it."[11]
Tracks after 16 "Hallelujah" are all hidden tracks. Track 24 has vocals by LP,[15] who also sings backup on "Star" and "Hallelujah."[16]
Additional musicians
Chart (1998) | Peak position |
---|---|
The Billboard 200 | 182[17] |
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)