Garland Wilson

In today's article we will talk about Garland Wilson, a topic that has captured the attention of many people over time. Garland Wilson is a concept that has generated debate and discussion in different areas, from the personal to the professional level. Since its appearance, Garland Wilson has aroused the interest of researchers, experts and curious people who seek to further understand its meaning and its impact on society. Throughout history, Garland Wilson has demonstrated its ability to influence the way people think and act, and in this article we will explore some of the reasons behind its relevance and continued presence in our lives.

Garland Wilson
Garland Wilson in the 1940s Photograph by William P. Gottlieb
Garland Wilson in the 1940s
Photograph by William P. Gottlieb
Background information
Birth nameGarland Lorenzo Wilson
Born(1909-06-13)June 13, 1909
Martinsburg, West Virginia, U.S.
DiedMay 31, 1954(1954-05-31) (aged 44)
GenresJazz
Blues
Boogie-woogie
OccupationMusician
InstrumentPiano

Garland Lorenzo Wilson (June 13, 1909 – May 31, 1954)[1] was an American jazz pianist who accompanied Nina Mae McKinney. Wilson was a boogie-woogie and stride pianist.[2]

Life and career

Garland Wilson was born in Martinsburg, West Virginia, United States.[1]

Wilson attended Howard University in Washington, D.C., and, in the 1930s, worked in New York City at nightclubs in the area. In 1932, the pianist joined Nina Mae McKinney on a European tour.[1] Wilson worked extensively in England as a member of local groups, and recorded with trumpeter Nat Gonella. In the liner notes of the CD box l'intégrale Django reinhardt - vol 2 he is quoted as being accompanist of French singer Jean Sablon, together with guitarist Django Reinhardt on two sides recorded on November 1, 1935, in Paris. In 1939, he returned to the United States, where he remained until 1951, when he moved to Paris, France.[1] The artist remained there until he died in 1954.[3]

Select discography

Solo

  • Memories of You (Okeh)
  • Rockin' Chair (Okeh)

With Charlie Lewis and Herman Chittison

  • Jazz In Paris: Harlem Piano in Montmartre (Sunny Side)

References

  1. ^ a b c d Colin Larkin, ed. (1992). The Guinness Encyclopedia of Popular Music (First ed.). Guinness Publishing. pp. 2707/8. ISBN 0-85112-939-0.
  2. ^ Panassie, Hugues (2005). The Real Jazz. Kessinger Publishing. p. 134. ISBN 1-4191-5028-6.
  3. ^ Clarke, Donald (2002). Billie Holiday: Wishing on the Moon. Da Capo Press. p. 68. ISBN 0-306-81136-7.