In today's article we will talk about Garland Wilson, a topic that has captured the attention of many people over time. Garland Wilson is a concept that has generated debate and discussion in different areas, from the personal to the professional level. Since its appearance, Garland Wilson has aroused the interest of researchers, experts and curious people who seek to further understand its meaning and its impact on society. Throughout history, Garland Wilson has demonstrated its ability to influence the way people think and act, and in this article we will explore some of the reasons behind its relevance and continued presence in our lives.
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Garland Wilson | |
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![]() Garland Wilson in the 1940s Photograph by William P. Gottlieb | |
Background information | |
Birth name | Garland Lorenzo Wilson |
Born | Martinsburg, West Virginia, U.S. | June 13, 1909
Died | May 31, 1954 | (aged 44)
Genres | Jazz Blues Boogie-woogie |
Occupation | Musician |
Instrument | Piano |
Garland Lorenzo Wilson (June 13, 1909 – May 31, 1954)[1] was an American jazz pianist who accompanied Nina Mae McKinney. Wilson was a boogie-woogie and stride pianist.[2]
Garland Wilson was born in Martinsburg, West Virginia, United States.[1]
Wilson attended Howard University in Washington, D.C., and, in the 1930s, worked in New York City at nightclubs in the area. In 1932, the pianist joined Nina Mae McKinney on a European tour.[1] Wilson worked extensively in England as a member of local groups, and recorded with trumpeter Nat Gonella. In the liner notes of the CD box l'intégrale Django reinhardt - vol 2 he is quoted as being accompanist of French singer Jean Sablon, together with guitarist Django Reinhardt on two sides recorded on November 1, 1935, in Paris. In 1939, he returned to the United States, where he remained until 1951, when he moved to Paris, France.[1] The artist remained there until he died in 1954.[3]