In the next article we are going to explore the fascinating world of Gabriel Vicéns. From its origins to its impact on today's society, Gabriel Vicéns has been the object of study and interest in various disciplines. Throughout history, Gabriel Vicéns has played a crucial role in the evolution of humanity, influencing aspects as diverse as culture, economics, politics and technology. Through comprehensive analysis, we will examine the many facets of Gabriel Vicéns, from its most fundamental aspects to its most contemporary implications. Get ready to immerse yourself in an exciting journey that will lead you to better understand the importance and meaning of Gabriel Vicéns in today's world.
Gabriel Vicéns | |
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![]() Vicéns performing at the SFJAZZ Center, 2018 | |
Background information | |
Born | Guaynabo, Puerto Rico | March 16, 1988
Genres | Jazz, Experimental, Classical |
Occupation | Musician |
Instrument | Guitar |
Years active | 2005–present |
Labels | Inner Circle Music[1] Setola di Maiale[2] Stradivarius[3] |
Website | www |
Gabriel Vicéns (born March 16, 1988) is a Puerto Rican guitarist, composer, producer, bandleader, educator, and visual artist currently based in New York City.[4]
Born and raised in Guaynabo, Puerto Rico, Vicéns began his musical training at the age of 14, and shortly after, he began playing jazz in local clubs. He attended the Conservatorio de Música de Puerto Rico, where he earned a Bachelor of Music in Jazz and Caribbean Music studies, graduating summa cum laude as the first guitarist in the program in 2010.[5] Later on, in 2016, he moved to New York City and attended Queens College, receiving a Master of Music in 2017.[6][7] Between 2019 and 2021, Vicéns studied painting at The Art Students League of New York with color-field painter Pat Lipsky.[6] In 2022, he received his Doctor of Musical Arts in Jazz Studies and Performance from Stony Brook University under the direction of Ray Anderson.[8] He studied guitar with Fernando Mattina and Paul Bollenback, and composition with Carlos Cabrer, Daria Semegen, and Lois V Vierk.[8]
Vicéns leads a number of his own groups and has collaborated with many jazz greats, including Eddie Gómez, David Sánchez, Alex Sipiagin, and Miguel Zenón.[9] At the age of 24, Vicéns became an adjunct professor at the Interamerican University of Puerto Rico where he taught private guitar lessons until 2015.[10] He has released four studio albums under his name: Point In Time (2012),[11][12][13][14] Days (2015),[15][16] The Way We Are Created (2021),[17][6][18] and Mural (2024).[19][20][21][22] His second and third albums were released on Greg Osby's label, Inner Circle Music. Vicéns' latest album was released on the Milan-based record label Stradivarius and features a collection of contemporary chamber works for different types of ensembles.[23][24][25]
In addition, Vicéns is co-leader of the free improvisation/experimental group No Base Trio formed in 2010 in San Juan, Puerto Rico. No Base Trio has released two albums under the label Setola di Maiale. Their debut eponymous album was released in 2020 and their second studio album, NBT II, in 2022.[26][27][28][29] Vicéns is a recipient of the 2023 Chamber Music America "New Jazz Works."[30] His work has been featured and reviewed in publications including DownBeat,[31] JazzTimes,[32] Fanfare,[33][34] American Record Guide,[35] All About Jazz,[36] Jazzwise,[37] Musica Jazz,[38] Jazz Journal,[39] Neue Musikzeitung,[40] Blow Up,[41] Jazz Inside,[42] El Nuevo Día,[43] El Vocero,[44] and Fundación Nacional para la Cultura Popular.[45]
Release year | Title | Label | Personnel |
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2012 | Point In Time | Self-Released | Gabriel Vicéns (guitar and compositions), Jonathan Suazo (alto saxophone), David Sánchez (tenor saxophone), Eduardo Zayas (piano), Eddie Gomez (bass), Matt Clohesy (bass), and Vladimir Coronel (drums) |
2015 | Days | Inner Circle Music | Gabriel Vicéns (guitar and compositions), Alex Sipiagin (trumpet and flugelhorn), Jonathan Suazo (alto saxophone), David Sánchez (tenor saxophone), Bienvenido Dinzey (piano), Leonardo Osuna (drums), and Paoli Mejias (percussion) |
2021 | The Way We Are Created | Inner Circle Music | Gabriel Vicéns (guitar and compositions), Roman Filiú (alto saxophone), Glenn Zaleski (piano), Rick Rosato (bass), E.J. Strickland (drums), and Victor Pablo (percussion) |
2024 | Mural | Stradivarius | Gabriel Vicéns (compositions), Roberta Michel (flute), Raissa Fahlman (clarinet), Joenne Dumitrascu (violin), Adrianne Munden-Dixon (violin), Rocío Díaz de Cossío (cello), Wick Simmons (cello), Julia Henderson (cello), Corinne Penner (piano), Mayumi Tsuchida (piano), Mikael Darmanie (piano), John Ling (vibraphone), David Bloom (conductor), and Nu Quintet |
Release year | Artist | Title | Label | Personnel |
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2020 | No Base Trio | No Base Trio | Setola di Maiale | Jonathan Suazo (alto saxophone), Gabriel Vicéns (guitar), and Leonardo Osuna (drums) |
2022 | No Base Trio | NBT II | Setola di Maiale | Jonathan Suazo (alto saxophone and flute), Gabriel Vicéns (guitar), and Leonardo Osuna (drums) |
Release year | Artist | Title | Label |
---|---|---|---|
2012 | Jonathan Suazo | Extracts of a Desire | Self-Released |
2012 | SM Quinteto | Historias, Cuentos y Canciones | Self-Released |
2012 | Joan Torres' All Is Fused | Before | Self-Released |
2014 | 5 Esquinas | Tamarindo | Self-Released |
2014 | Joan Torres' All Is Fused | The Beginning | Self-Released |
2014 | Jonathan Suazo | Vital | Self-Released |
2016 | Joan Torres' All Is Fused | Of the Musical | Self-Released |
2018 | Fernando García | Guasábara Puerto Rico | Zoho Music |
2018 | Pasha Karchevsky | Hope | Inner Circle Music |
2019 | Pablo Campos | Enfoque | Self-Released |
2019 | Joan Torres' All Is Fused | Revolution | Self-Released |
2019 | Andre Carvalho | Outside in Music, Vol. 3 - Live at Pinch Recording | Outside In Music |
2022 | Slavo Rican Assembly | Intercosmic | World Music Network |
2023 | Joan Torres' All Is Fused | Embrace Form | Self-Released |
2023 | Fernando García | Behique | Sunnyside Records |
2023 | Jonathan Suazo | Ricano | Ropeadope Records |