In this article, we will explore the issue of Fuerza Bruta from a multidimensional perspective, analyzing its implications, repercussions and possible solutions. Fuerza Bruta is a topic that has captured the attention of academics, activists, government institutions and society in general, due to its relevance in the current context. Through a deep analysis, we aim to provide a comprehensive vision of Fuerza Bruta, addressing its most relevant aspects, its connections with other phenomena and its potential impact in different areas. With the purpose of enriching the debate around Fuerza Bruta, this article aims to offer a holistic vision that invites reflection and constructive dialogue.
![]() | This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these messages)
|
Fuerza Bruta (literally meaning "brute force") is a postmodern theatre show that premiered in Buenos Aires in 2005 and was created by Diqui James. It is also the name of the company that produces the show. Members of the company that created Fuerza Bruta were co-creators of a previous company called De La Guarda, which presented a similar show named Villa Villa. It is a very energetic spectacle under the motto Brute Force, features interaction between the performers and the public, and is described as a 360 degree experience.
The show opened Off-Broadway in New York City at the Daryl Roth Theater in 2007 and closed August 28, 2016.[1]
The show has since travelled over the world. It has been performed in Buenos Aires, Seoul, Cordoba, Bogota, Queretaro, Miami, Chicago, Lisbon, Bilbao, Berlin, Moscow, Shanghai, London, Edinburgh, Antwerp, Lima, Taipei, Macau[2] and Madrid and is scheduled for Istanbul, Tel Aviv, Manila, Las Vegas, Tokyo,[3] Limerick, Heerlen, and London again in 2024.[4]
The show/company acts in a sequence of the film Tesis sobre un homicidio (H. Goldfrid, 2013).