In this article about Frank E. Schoonover Studios we will explore different aspects and perspectives about this broad and relevant topic in today's society. From its origin and evolution, to its implications in different areas of daily life, we will delve into a detailed analysis that will allow us to better understand the multiple dimensions that Frank E. Schoonover Studios encompasses. Through research and reflection, we seek to shed light on aspects that are little known or debated, in order to enrich our understanding of Frank E. Schoonover Studios and its implications in the contemporary world.
Schoonover, Frank E., Studios | |
Location | 1616 Rodney St., Wilmington, Delaware |
---|---|
Coordinates | 39°45′26″N 75°33′30″W / 39.75722°N 75.55833°W |
Area | 0.5 acres (0.20 ha) |
Built | 1905 |
Architect | Rice, Capt. E.L., Jr. |
Architectural style | Queen Anne |
NRHP reference No. | 79000636[1] |
Added to NRHP | April 20, 1979 |
The Frank E. Schoonover Studios in Wilmington, Delaware comprise a historic building that was used by the students of illustrator Howard Pyle, including the original tenants Frank Schoonover, N.C. Wyeth, Harvey Dunn, and Clifford Ashley. Philanthropist and art collector Samuel Bancroft paid for the building which was designed by the prominent local architect Capt. E.L. Rice, Jr. and built in 1905 in a simplified Queen Anne or Shavian Manorial style. It was added to the National Register of Historic Places in 1979.[2]
Schoonover remained in his studio, Number 1, until the end of his career, but the other original tenants moved out within ten years. Other artists moved in but Schoonover eventually became the sole owner of the property. After his death in 1972, a group of artists restored the building.[3]
In 2006, the Delaware History Museum held a special exhibition about the Studios.[4]