In this article we are going to explore the topic of Figaro (film) in depth. From its origins to its impact on today's society, Figaro (film) has captured the attention of scholars, experts, and fans alike. Over the years, Figaro (film) has played a pivotal role in various fields, from politics to popular culture. Through detailed analysis, we will examine the different facets of Figaro (film) and its evolution over time. Through research and debate, we hope to shed light on this topic that is so relevant today.
Figaro | |
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Directed by | Tony Lekain Gaston Ravel |
Written by | Beaumarchais (play) Tony Lekain Gaston Ravel |
Starring | Ernst Van Duren Arlette Marchal Marie Bell |
Cinematography | Albert Duverger |
Production company | Franco Films |
Release date |
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Running time | 120 minutes |
Country | France |
Languages | Silent French intertitles |
Figaro is a 1929 French silent historical comedy film directed by Tony Lekain and Gaston Ravel and starring Ernst Van Duren, Arlette Marchal and Marie Bell.[1] It is an adaptation of the 1778 Beaumarchais play The Marriage of Figaro, with material also used from its two sequels. It was released in 1929 in the US as a silent film, then reissued there in 1932 with an added music track, recorded by SpA Bixiophone, under the title Il Barbiere di Siviglia.