Ferruccio Cerio
Nowadays, Ferruccio Cerio has become a topic of great relevance in our society. Since its inception, Ferruccio Cerio has captured the attention of experts, academics and the general public, generating a continuous and enriching debate. Over the years, Ferruccio Cerio has undergone significant changes, evolving and adapting to technological, cultural and social advances. In this article, we will take an in-depth look at the impact of Ferruccio Cerio in different areas, exploring its contributions, challenges, and future perspectives. How has Ferruccio Cerio influenced our daily lives? What are the implications of Ferruccio Cerio in the current context? Join us in this exploration and let's discover together the importance and relevance of Ferruccio Cerio in the contemporary world.
 | This article needs additional citations for verification. (May 2024) |
Ferruccio Cerio (25 September 1904 – 23 April 1963) was an Italian film writer and director.[1]
Filmography as a director
- Il cavaliere senza nome (1941)
- Villa da vendere (1941)
- L'ultimo addio (1942) (a.k.a. The Last Good-Bye)
- The Count of Monte Cristo (1943) (supervising director)
- La prigione (1944)
- Rosalba (1944)
- Posto di blocco (1945)
- The Howl (1948)
- Cita con mi viejo corazón (1950)
- O Noivo de Minha Mulher (1950)
- La donna che inventò l'amore (1952) (a.k.a. The Woman Who Invented Love)
- Il Sacco di Roma (1953) (a.k.a. The Pagans, The Barbarians)
- Gioventù alla sbarra (1953)
- Tripoli, Beautiful Land of Love (1954)
- El Diablo de vacaciones (1957)
References
- ^ "Person - Cerio, Ferruccio (1904-1963)". pares.mcu.es (in Spanish). Retrieved 1 May 2024.
External links
| International | |
|---|---|
| National | |
| Other | |
 | This article about an Italian film director is a stub. You can help Wikipedia by expanding it. |