Ferdinand Fagerlin

Today, Ferdinand Fagerlin is a topic of interest and debate in different areas. Its relevance has transcended borders, generating all types of opinions and positions. Both in the academic field and in the public sphere, Ferdinand Fagerlin has captured the attention of specialists and the general public. This phenomenon has sparked growing interest in understanding its implications and consequences, as well as in seeking solutions and alternatives to address it effectively. In this article, we will explore different perspectives and approaches related to Ferdinand Fagerlin, in order to analyze its impact and offer a more comprehensive view on this topic.

Ferdinand Fagerlin
Gravestone Fagerlin on Nordfriedhof in Düsseldorf

Ferdinand Julius Fagerlin (5 February 1825 - 19 March 1907) was a Swedish-German genre painter.[1]

Biography

Born in Stockholm, Fagerlin first apprenticed as a shipbuilder (1842–1843) before attending the Royal Swedish Academy of Arts (1845–1847). He joined the army (1850–1854) and practiced painting, particularly portraits. From 1854 on he dedicated himself completely to painting and with the support of his former teachers studied at the Kunstakademie Düsseldorf, with Karl Ferdinand Sohn und Friedrich Wilhelm Schadow (1854–1855). He spent time in Paris (1856-1858), where he worked in the shop of Thomas Couture. [2]

On his return to Düsseldorf in 1958, he settled as a painter and married Alice (1844–1931), daughter of painter Henry Ritter (1816-1853) whose shop he inherited after the latter's death in 1853.[3] From 1862 to 1902 he was a member of the Düsseldorf art society, Malkasten. The Swedish painter Axel Kulle was his student from 1875 to 1880.[4][5]

After 1863, he traveled frequently to the Netherlands, and the imagery he acquired there, particularly of the Dutch coast and the life of its sailors and inhabitants became formative in his genre painting. In 1867 he showed Der Heiratsantrag and Die Eifersucht at the International Exposition in Paris. He died in Düsseldorf six weeks after his 82nd birthday.

Notable works

  • Die angehenden Raucher (Nationalmuseum Stockholm),
  • Die Eifersucht (Nationalmuseum Stockholm),
  • Die Liebeserklärung,
  • Der Heiratsantrag,
  • Die Krankenstube,
  • Der verschmähte Freier,
  • Die Genesende (Häusliche Andacht), 1867 (Nationalmuseum Stockholm)

Selected works

  • The Desperate Suitor
    The Desperate Suitor
  • Surprised, 1888
    Surprised, 1888
  • Wishing I Were Her.
    Wishing I Were Her.
  • The Mocked Bachelor
    The Mocked Bachelor
  • Girl in Front of a Mirror
    Girl in Front of a Mirror

References

  1. ^ Bettina Baumgärtel; Sabine Schroyen; Lydia Immerheiser; Sabine Teichgröb (2011). "Verzeichnis der ausländischen Künstler und Künstlerinnen. Nationalität, Aufenthalt und Studium in Düsseldorf". In Bettina Baumgärtel (ed.). Die Düsseldorfer Malerschule und ihre internationale Ausstrahlung 1819–1918. Vol. 1. Peterberg: Michael Imhof. p. 430. ISBN 978-3-86568-702-9.
  2. ^ Axel Gauffin. "Ferdiand Julius Fagerlin". Svenskt biografiskt lexikon. Retrieved April 1, 2019.
  3. ^ "Ateliernachlass von Ferdinand Fagerlin und Henry Ritter". old-master-drawings.com. Retrieved 21 August 2013.
  4. ^ "Ferdiand Julius Fagerlin, målare". Nordisk familjebok. Retrieved April 1, 2019.
  5. ^ "Henry Ritter". Allgemeine Deutsche Biographie. Retrieved April 1, 2019.

Further reading

  • Axel Gauffin: Ferdinand Fagerlin (1825-1907). Norstedt, Stockholm 1910.
  • Wend von Kalnein: Die Düsseldorfer Malerschule. Philipp von Zabern, Mainz 1979, ISBN 3-8053-0409-9, p. 307.
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