In today's world, F (musical note) is a topic that arouses great interest and debate in society. For a long time, F (musical note) has been a focal point of discussion between experts and ordinary citizens, generating conflicting opinions and creating an environment of uncertainty. Over time, F (musical note) has evolved and has become a topic of great relevance today, impacting people's lives in different ways. Given this reality, it is important to thoroughly analyze F (musical note) and its implications, in order to understand its impact on society and make informed decisions on this issue.
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F is a musical note, the fourth above C or fifth below C. It is the fourth note and the sixth semitone of the solfège. It is also known as fa in fixed-do solfège.[1] It is enharmonic equivalent with E♯ (E-sharp)[2] and G (G-double flat),[3] amongst others.
When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of Middle F (F4) is approximately 349.228 Hz.[4] See pitch (music) for a discussion of historical variations in frequency.
Scientific designation | Helmholtz designation | Octave name | Frequency (Hz) | MIDI note number |
---|---|---|---|---|
F−1 | F͵͵͵ or ͵͵͵F or FFFF | Octocontra | 10.913 | 5 |
F0 | F͵͵ or ͵͵F or FFF | Subcontra | 21.827 | 17 |
F1 | F͵ or ͵F or FF | Contra | 43.654 | 29 |
F2 | F | Great | 87.307 | 41 |
F3 | f | Small | 174.614 | 53 |
F4 | f′ | One-lined | 349.228 | 65 |
F5 | f′′ | Two-lined | 698.456 | 77 |
F6 | f′′′ | Three-lined | 1396.913 | 89 |
F7 | f′′′′ | Four-lined | 2793.826 | 101 |
F8 | f′′′′′ | Five-lined | 5587.652 | 113 |
F9 | f′′′′′′ | Six-lined | 11175.303 | 125 |
F10 | f′′′′′′′ | Seven-lined | 22350.607 | N/A |
E♯ (German: Eis)[5] is a common enharmonic equivalent of F, but is not regarded as the same note. E♯ is commonly found before F♯ in the same measure in pieces where F♯ is in the key signature, in order to represent a diatonic, rather than a chromatic semitone; writing an F♮ with a following F♯ is regarded as a chromatic alteration of one scale degree. Though E♯ and F♮ sound the same in any 12-tone temperament, other tunings may define them as distinct pitches.