In this article we are going to explore and analyze Ewa Dałkowska from different perspectives and in different contexts. Ewa Dałkowska is a topic that has captured the attention of people around the world, and its importance and impact are undeniable. Over the years, Ewa Dałkowska has sparked heated debates, driven significant change, and been a source of inspiration to many. In this post, we will take a deep look at Ewa Dałkowska to understand its meaning, relevance, and influence on our lives. From its origin to its evolution, Ewa Dałkowska has left an indelible mark on society, and it is essential to understand its reach in order to appreciate its true value. The objective of this article is to offer a complete and insightful overview of Ewa Dałkowska, and thus contribute to the understanding and discussion of this topic.
Ewa Dalkowska | |
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![]() Dałkowska in 2018 | |
Born | |
Occupation | Actress |
Years active | 1971–present |
Ewa Dałkowska (born 10 April 1947 in Wrocław)[1] is a Polish actress. She performed in more than 50 films since 1970s.
Dałkowska was born in Wrocław, Poland. She graduated from the University of Wrocław in 1970 and from the Aleksander Zelwerowicz National Academy of Dramatic Art in 1972.[1][2] Since then she began appearing on stage and film, her first notable screen role was in the 1975 drama film Nights and Days. She worked with directors such as Andrzej Wajda, Jan Englert, Krystyna Janda, Agnieszka Holland and Krzysztof Zanussi.[1]
During the time of Martial law in Poland (1981-1983), Dałkowska was active in the underground. Her involvement in democratic transformation in Poland brought her the Order of Polonia Restituta, Officer's Cross, in 2007.[1]
Year | Title | Role | Notes |
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1975 | Nights and Days | Olesia Chrobotówna | |
1978 | Without Anesthesia | Ewa Michalowska | |
1984 | A Year of the Quiet Sun | Stella | |
1990 | Korczak | Stefania Wilczyńska | |
2016 | Smolensk | Maria Kaczyńska |