In this article, we are going to explore and delve into the topic of Everything I Do Gonna Be Funky, examining its impact on various aspects of society. Everything I Do Gonna Be Funky has been the subject of interest and debate in recent years, and its relevance continues to grow in today's world. Through detailed analysis, we will examine both the positive and negative aspects of Everything I Do Gonna Be Funky, its influence in different contexts, and how it is shaping and driving changes in our environment. With a critical and objective view, we seek to shed light on this issue that influences our daily lives so much.
Everything I Do Gonna Be Funky | ||||
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Studio album by | ||||
Released | 1974 | |||
Recorded | 1974 | |||
Studio | New York City | |||
Genre | Jazz-funk[1] | |||
Length | 35:52 | |||
Label | Groove Merchant GM 535 | |||
Producer | Sonny Lester | |||
O'Donel Levy chronology | ||||
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Everything I Do Gonna Be Funky is an album by American jazz-funk guitarist O'Donel Levy recorded in 1974 and released on the Groove Merchant label.[2][3][4]
Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Allmusic's Sean Westergaard said: "Everything I Do Gonna Be Funky, O'Donel Levy's follow-up to his excellent Simba, is something of a letdown in comparison. ... None of this is awful; it just lacks the great tunes and arrangements of its predecessor".[5]
All compositions by O'Donel Levy except where noted