In today's article we are going to delve into the fascinating world of Emma Seligman. We will learn the fundamental aspects of Emma Seligman and its impact on our lives. We will explore its history, evolution and relevance in today's society. Additionally, we will learn about the different perspectives and theories related to Emma Seligman, as well as possible future implications. Through a comprehensive analysis, we will try to gain a deeper understanding of Emma Seligman and its importance in today's world. Get ready to embark on a journey of discovery and knowledge about Emma Seligman!
Emma Seligman (born May 3, 1995) is a Canadian film director and screenwriter. She[a] is best known for the films Shiva Baby (2020) and Bottoms (2023).
While at NYU, she made short films including Lonewoods, Void, and her senior thesis film, Shiva Baby. During this time, Seligman also interned at a variety of production studios. She also served on the Toronto International Film Festival's select youth committee, where she helped program films for the festival.[9][10]
Her thesis film, Shiva Baby, was selected for 2018 South by Southwest film festival. At the encouragement of the short film's star, Rachel Sennott, whom she befriended during the audition process, Seligman began developing it into a feature, where Sennott would reprise her lead role.[11][12] It was Sennott's unique style of comedy and knack for uncomfortable humor that transformed Shiva Baby into more of a comedy than the original short film's intense dramedy approach.[13] Seligman also cited inspiration from the horror and thriller genres that helped to form the film's "claustrophobic look."[14] The feature-length version of Shiva Baby was set to premiere at 2020 South by Southwest, but the premiere was cancelled due to the COVID-19 pandemic.[15] The film eventually premiered at the 2020 Toronto International Film Festival.[16]
Shiva Baby was met with critical acclaim. Kristy Puchko of The Playlist wrote, "It's astounding this is Seligman's first film, how masterfully she orchestrates the tension and comedy,"[17] and Dana Piccoli for Queer Media Matters praised that "while Seligman is still a relative newcomer to the film world, she handles Shiva Baby like an experienced pro."[18] In 2022, the film won the John Cassavetes Award from Film Independent, at the time designated for productions with budgets of $500,000 or less.[b][19] In an interview with The Upcoming in 2021 after the film's release, Seligman expressed her desire to continue to create complicated female characters and narratives, beyond the confines of being viewed as "messy," just as there are a plethora of complicated male characters on screen who are not given this designation.[13]
Seligman reunited with Rachel Sennott for her second feature film, Bottoms, a teen sex comedy in which two high school lesbians start a fight club in order to attract their cheerleader crushes. Seligman had the idea for the film while still at NYU, and began working on it with Sennott there.[15] She says she was inspired by her love for teen romantic comedies and sex comedies, while wanting to combine those elements with those of a superhero film or buddy comedy.[20] Bottoms was scored by English singer-songwriter Charli XCX.[21] To promote Bottoms, Seligman appeared on the cover of New York Magazine with the films' stars Rachel Sennott and Ayo Edebiri. The film headlined the SXSW film festival on March 11, 2023.[22] Aisha Harris of NPR praised the film writing, "Sennott and Seligman strike both a sweet and an abrasive tone that's tricky to pull off, though they do so quite handily."[23] Seligman's inspiration for the film came from high-school comedies such as Bring It On, Mean Girls, and Grease.[21]
Seligman's work often focuses on sexual themes, particularly women's relationship to sex. Regarding this choice, she has stated:
Women decode sexual messaging from a young age, from eight years old to twenty-two years old. They have to process what sex means, what it can do for them, what it should do for them, what they're supposed to do for it. Technology, for example with porn or dating sites, has made the sexual messaging more confusing, and I'm interested in how women figure it out.[6]
She has stated that her filmmaking process as a very collaborative experience, and enjoys being able to discuss her work with her actors.[6]
As Seligman's career continues, she stated that she wants to continue making "weird" queer and Jewish stories on an increasingly larger scale.[20]
^Miami Film Festival (2020). "SHIVA BABY". Archived from the original on October 6, 2020. Retrieved October 16, 2020. Miami Film Festival (2020). "Jordan Ressler First Feature Award". Archived from the original on September 18, 2020. Retrieved October 16, 2020.
^Harris, Ben (July 12, 2021). "36 Under 36 2021". jewishweek.timesofisrael.com. Archived from the original on December 30, 2021. Retrieved December 30, 2021.
^Zinoman, Jason (December 17, 2021). "Best Comedy of 2021". The New York Times. ISSN0362-4331. Archived from the original on December 17, 2021. Retrieved December 18, 2021.
^ReFrame Project (February 18, 2021). "Stamp Feature Film". Archived from the original on February 18, 2021. Retrieved February 18, 2021.
^Chlotrudis Society (2022). "2022, 28th Annual Awards". Chlotrudis Society for Independent Film. Archived from the original on February 12, 2022. Retrieved February 12, 2022.