In this article, we are going to explore Elegy in Blue in depth and analyze its impact in different contexts. Elegy in Blue is a topic that has captured the attention of many in recent years, and its relevance continues to increase. Since its appearance, Elegy in Blue has generated passionate debates and sparked growing interest in its study. As we progress in this article, we will examine the importance of Elegy in Blue in today's society, as well as its implications in different areas. We will dive into its origins, evolution and future prospects, offering a comprehensive and detailed view of Elegy in Blue. Through a multidisciplinary approach, we aim to shed light on this topic and provide an exhaustive analysis that allows us to better understand its meaning and impact in today's world.
Elegy in Blue | ||||
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Studio album by | ||||
Released | 1994 | |||
Recorded | May 18–19, 1994 | |||
Studio | Group IV Studios, Los Angeles | |||
Genre | Jazz | |||
Length | 68:58 | |||
Label | MusicMasters 65115-2 | |||
Producer | Ed Berger | |||
Benny Carter chronology | ||||
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Elegy in Blue is an album by saxophonist/composer Benny Carter recorded in 1994 and released by the MusicMasters label.[1][2]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
"Prelude to a Kiss" won the Grammy Award for Best Instrumental Solo in 1995.[4] AllMusic reviewer Scott Yanow stated "Benny Carter, 87 at the time of this recording, could pass musically for 57. His alto playing is as flawless as ever but 79-year-old trumpeter Harry "Sweets" Edison very much sounds his age and falters constantly throughout the date ... Edison and the so-so material cause this session to fall far short of its potential".[3]