In today's world, Eggert Achen has become a topic of great interest and relevance in various areas of society. From the scientific to the political sphere, Eggert Achen has captured the attention of researchers, academics, leaders and citizens in general, generating intense debate and analysis around its implications and repercussions. In this article, we will explore in detail the different facets and perspectives of Eggert Achen, examining its impact today and possible projections for the future. From its origin to its evolution, including its effects on the present, we will delve into a complete and exhaustive analysis of Eggert Achen, addressing its positive, negative and controversial aspects.
![]() | You can help expand this article with text translated from the corresponding article in Danish. (October 2012) Click for important translation instructions.
|
Eggert Achen (30 November 1853 – 20 December 1913) was a Danish architect.[1]
Eggert Christoffer Achen was born in the parish of Kvislemark in Næstved Municipality. Denmark. He was the son of Hillerød Eggert Christoffer Achen and Johanne Georgine Wilhelmine Cecilie Tryde. He was the brother of the painter Georg Achen (1860-1912).[2]
He attended the Copenhagen Technical College and was admitted to the Royal Danish Academy of Fine Arts in January 1872. Around 1877, Achen settled in Randers.
Chairman of the Architects' Association of Denmark between 1910 and 1914, he was a Freemason and member of the Danish Masonic Order.[citation needed] He designed several lodges for the Freemasons including one in Randers in 1881, together with Frits Uldall, and in Aarhus in 1908. He collaborated frequently with the Aarhus architect Thorkel Møller, mainly in Central and South Jutland in the restorations of manors and hotel conversions. Varna Palæet, a restaurant, and the Technical School in Hobro can also be counted amongst his works.[3] Achen moved to Aarhus ca. 1895 where he died in 1913.