Early Opera Company

In today's world, Early Opera Company has gained great relevance in various areas. Its impact has extended to fields as diverse as technology, politics, culture and society in general. Interest in Early Opera Company has led to further study and research into its influence, both locally and globally. In this article, we will explore the role of Early Opera Company in the contemporary world, analyzing its implications and relevance in various scenarios. From its impact on the economy to its influence on interpersonal relationships, Early Opera Company has become a topic of great interest and debate today.

The Early Opera Company is a British ensemble dedicated to the performance of baroque operas using period instruments.

Background

The company was founded in 1994 by Christian Curnyn.[1] Handel's operas feature prominently in its repertoire, and the Company has given notable performances of Acis and Galatea,[2] Dido and Aeneas,[3] Agrippina in New York, Orlando at the South Bank Centre Early Music Festival and Partenope at the Linbury Studio Theatre. They have also recorded Partenope and Semele for the Chaconne label on Chandos Records.[4] The recording of Semele was awarded the Handel Prize in 2008. Soloists who have performed with the company include Joshua Bell, Sam Haywood and Jonathan Biss.[5] They performed at the Lufthansa Baroque Music Festival, in May 2009, with John Eccles's The Judgment of Paris in one of its first performances. The ensemble also made the premiere recording of the work for Chandos Records.

References

  1. ^ "Early Opera Company - Early Opera Company". 21 February 2014.
  2. ^ Christiansen, Rupert (29 July 2013). "Acis and Galatea, Early Opera Company, review". The Daily Telegraph. Retrieved 21 May 2019.
  3. ^ Christiansen, Rupert (13 January 2012). "Dido and Aeneas, Early Opera Company, Wigmore Hall, review". The Daily Telegraph. Retrieved 21 May 2019.
  4. ^ "Semele". Retrieved 21 May 2019.
  5. ^ "Early Opera Company; Joshua Bell, Sam Haywood; Jonathan Biss – review". The Guardian. Retrieved 21 May 2019.


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