This article will address the topic of Donn Cambern, which has gained relevance in recent years due to its impact on various areas of society. Since Donn Cambern it has sparked debates and reflections in areas as diverse as politics, economics, science, culture and technology. There is no doubt that Donn Cambern has marked a before and after in the way we relate to the world around us. Throughout these pages, different perspectives, studies and research will be analyzed that will allow us to deepen our understanding of Donn Cambern and its influence today.
Donn Cambern | |
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Born | Los Angeles, California, U.S. | October 9, 1929
Died | January 18, 2023 Burbank, California, U.S. | (aged 93)
Occupation | Film editor |
Donn Cambern (October 9, 1929 – January 18, 2023) was an American film editor with more than three dozen feature film credits. His editing of Romancing the Stone (1984) was nominated for an Academy Award for Best Film Editing along with fellow editor Frank Morriss, and his editing of Easy Rider (1969) has been noted as particularly innovative and influential. He was awarded the American Cinema Editors Career Achievement Award in 2004.[1][2]
Cambern was born in Los Angeles, California, and obtained a B.A. in music from UCLA. Cambern began his career as a music editor for The Andy Griffith Show before moving into film editing.
Officially credited with editing The Last Picture Show (1971), Cambern's involvement was called into question in the 1999 documentary, The Last Picture Show: A Look Back. In the documentary, Peter Bogdanovich said that after shooting the film, he went back to Los Angeles to edit it on a Moviola. When finished editing the entire picture, he refused to credit himself as editor, reasoning that credits beyond that of director and co-writer would look 'ridiculous'. After being informed that the Motion Picture Editors Guild required crediting an editor, he suggested Donn Cambern who had been editing another film in the next office over and had helped Bogdanovich with some purchasing paperwork.[3] In the documentary, Cybill Shepherd said that when she went to stay with Bogdanovich during that time, it was disappointing because he was too busy editing the film.[4] Cambern disputes this, stating that Bogdanovich did do an edit of the film, which he screened for a selection of guests, including Jack Nicholson, Bob Rafelson and himself. The consensus was the film was going to be great, but needed further editing to achieve its full potential. Bogdanovich invited Cambern to edit the film further and Cambern made significant contributions to the film's final form.
One of Cambern's favorite stories and something for which he is often remembered is the editing of the final sequence of the Robert Wise film The Hindenburg (1975), in which Cambern manages to keep the Hindenburg blowing up for almost 10 minutes when the actual event lasted little more than 37 seconds.[5]
In 2007, Cambern was senior filmmaker-in-residence at the American Film Institute Conservatory.[6] Cambern had been elected as a member of the American Cinema Editors.[7] Cambern had served twice (1990–94, 1997–99) as Vice-President of the Board of Governors for the Academy of Motion Picture Arts and Sciences. From 1991-2002, he was President of the Motion Picture Editors Guild.[6][8]
Cambern was the inaugural recipient of the Guild's Fellowship and Service Award in 2007.[9]
Cambern died of complications from a fall on January 18, 2023, at the Providence Saint Joseph Medical Center in Burbank, California. He was 93.[1]
Year | Film | Director | Role |
---|---|---|---|
1973 | Steelyard Blues | Alan Myerson | Supervising film editor |
Cinderella Liberty | Mark Rydell | ||
1993 | Blood In Blood Out | Taylor Hackford | Additional film editor |
1997 | A Thousand Acres | Jocelyn Moorhouse | Additional editor |
Year | Film | Director | Credit |
---|---|---|---|
1991 | Eyes of an Angel | Robert Harmon | Co-producer |
Year | Film | Director | Role |
---|---|---|---|
1977 | The Other Side of Midnight | Charles Jarrott | Second unit director |
1982 | Tempest | Paul Mazursky | Second unit director: Greece |
Year | Film | Director | Role |
---|---|---|---|
1998 | Relax... It's Just Sex | P. J. Castellaneta | Thanks |
2007 | The Jinn | Iris Green | Special thanks |
2009 | Hurt | Barbara Stepansky |
Documentaries
Year | Film | Director |
---|---|---|
1969 | Follow Me | Gene McCabe |
A Session with the Committee | Del Jack |
TV movies
Year | Film | Director |
---|---|---|
1969 | Debbie Reynolds and the Sound of Children | Marc Breaux |
Year | Film | Director | Role |
---|---|---|---|
1999 | Boys Will Be Boys | Dom DeLuise | Composer: Additional music Music editor |
TV series
Year | Title | Role | Notes |
---|---|---|---|
1961 | Margie | Music editor | 1 episode |
1965 | I Spy | ||
That Girl | |||
1963−66 | The Andy Griffith Show | 70 episodes | |
1964−66 | Gomer Pyle, U.S.M.C. | 60 episodes | |
1968 | The Ghost & Mrs. Muir | 2 episodes |
TV specials
Year | Film | Director |
---|---|---|
1968 | The Bob Hope Christmas Special | Morton Lachman |
Year | Title | Role |
---|---|---|
2023 | 96th Academy Awards | In memoriam |