In today's world, Do Bhai (1947 film) has become a topic of great relevance and interest to countless people. Whether it's its impact on society, its influence on culture, or its importance in history, Do Bhai (1947 film) has captured the attention of scholars, experts, and enthusiasts alike. Its relevance transcends borders and covers different areas, making it a topic of deep analysis and debate. In this article, we will explore the different facets of Do Bhai (1947 film) and its impact on the contemporary world, analyzing its historical relevance, its current influence and its possible implications in the future.
Do Bhai | |
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Directed by | Munshi Dil[1] |
Written by | Munshi Dil |
Screenplay by | Munshi Dil |
Story by | Munshi Dil |
Produced by | Filmistan |
Starring | Ulhas Kamini Kaushal Tiwari Rajan Haksar Paro Devi |
Cinematography | Marshall Branganza |
Edited by | Pundalik |
Music by | S. D. Burman[1] Raja Mehdi Ali Khan (lyrics) |
Distributed by | Filmistan |
Release date |
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Country | India |
Language | Hindi |
Do Bhai (English: The Two Brothers) is a 1947 Indian Bollywood film directed by Munshi Dil. Its starred Ulhas, Kamini Kaushal, Dipak Mukherjee, Tiwari, Rajan Haksar and Paro Devi in lead roles. It was the second highest grossing Indian film of 1947.[1]
Music composed by S. D. Burman, lyrics written by Raja Mehdi Ali Khan.
Geeta Dutt (née Roy), who had no formal training in music, sang two lines in a chorus in the film Bhakt Prahlad (1946). On hearing her voice, S.D. Burman persuaded her father to let her sing in his forthcoming film Do Bhai (1947). The first song to be recorded for the film in her voice was 'Humein chod piya kis des gaye'. She sang six out of the nine songs of the film. From them the songs "Mera Sundar Sapna Beet Gaya"[2] and "Yaad Karoge"[1][3] became enduring hits.