In today's world, DistroKid has become a topic of great relevance and interest to a wide variety of people. Whether due to its impact on society, its importance in the professional field or its historical relevance, DistroKid has captured the attention of individuals of all ages and backgrounds. This article seeks to fully explore the meaning and implications of DistroKid, offering both an overview and a detailed analysis of its different aspects. Over the next few lines, we will delve into the fascinating world of DistroKid, with the aim of providing a complete and enriching perspective on this topic of undoubted importance in the current panorama.
Formerly | Fandalism |
---|---|
Type of site | |
Owner |
|
Founder(s) | Philip J. Kaplan |
Industry | Music |
URL | distrokid |
Launched | January 2012 |
Current status | Active |
DistroKid, formerly titled Fandalism,[3] is an American independent digital music distribution service, founded in 2012 by American entrepreneur Philip Kaplan. DistroKid principally offers musicians and other rights-holders the opportunity to distribute and sell or stream their music through online retailers such as Spotify, iTunes, and YouTube Music, among others. Originally known as Fandalism, it was originally a social media website for musicians before going into its current name while also becoming a music distributor over a year later in mid-2013.
Originally a side-feature of Kaplan's social media music platform, Fandalism was first developed and launched in early 2012 and was later renamed to DistroKid a year later in mid-2013, while the original Fandalism service was split out into its own company in 2015.[3][4][5]
In July 2015, a DistroKid release by musical act Jack & Jack went to number one worldwide on the iTunes charts.[6][7] This was particularly notable because DistroKid does not take a commission or royalties, making this the first time a number-one charting artist was able to keep 100% of their earnings.[3]
In May 2016, DistroKid launched a feature called "Teams" that makes it possible for royalties to be automatically sent to collaborators and shareholders.[8][9] In 2018, DistroKid reached an agreement with Spotify to support cross-platform uploads for Spotify artists who upload directly or have direct licensing deals with the company.[10][11][12] In 2021, the company launched an initiative allowing record labels to mine its data in search of new artists. It receives a finder's fee from record labels each time a label signs a new artist by way of the platform. The first label to take part in the initiative was Republic Records.[13]
On July 1, 2020, Brazilian YouTuber and musician Dan Vasc called out DistroKid for allegedly stealing the 100% royalty he was promised by DistroKid, as he had only received a reduced percent of the royalty based on the US tax withholding (where DistroKid is based). Vasc uploaded two videos on YouTube highlighting the situation, along with an update.[14]
In the summer of 2022, DistroKid launched DistroVid to let both members and non-members upload music videos with a subscription.[15]
On June 7, 2023, DistroKid was sued by the indie label Doeman Music Group Media for allegedly mishandling a copyright takedown. In January 2021, DistroKid notified Damien Wilson that his 2020 EP was removed from all streaming platforms because of a takedown notice from Raquella George, who contributed to the song "Scary Movie". The lawsuit alleges that DistroKid did not allow Wilson to dispute the takedown.[16][17]
In September 2023, it was announced DistroKid has acquired the music distribution and website hosting platform, Bandzoogle.[18]