In this article, we want to delve into the topic of Dhamar (music) and explore all its dimensions. Dhamar (music) has been a topic of constant interest throughout history, with multiple approaches and analyzes from different disciplines. From its origins to the present, Dhamar (music) has played a crucial role in people's lives and the development of society. In this article, we aim to examine Dhamar (music) from different perspectives, analyzing its impact on culture, politics, science, the arts, and everyday life. We hope this article serves as a comprehensive guide to understanding the importance and relevance of Dhamar (music) in the modern world.
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Dhamar is one of the talas used in Hindustani classical music from the Indian subcontinent. It is associated with the dhrupad style and typically played on the pakhawaj and also tabla.
Dhamar taal has 14 beats (matras) grouped asymmetrically into a 5-2-3-4 pattern.
A song in dhrupad style set to dhamar tala is also called a dhamar. The text of a dhamar concerns the antics of Krishna teasing the milkmaids during the Holi (hori) Spring Festival of colours. It is considered a relatively light, gentle, and romantic musical form.
The theka or syllabic pattern of dhamar tala is:[1]
1 2 3 4 5 6 7 8 9 10 11 12 13 14 क ध्धि ट धि ट धा ऽ ग त्ति ट ति ट ता ऽ ka ddhi Ta dhi Ta dhaa - Ga Ti Ta Ti Ta taa -
In counting out the beat, beats 1, 6, and 11 are clapped (tali), and beat 8 is indicated by a wave of the hand (khali):
(1) Clap 2 3 4 5 |(1) Clap 2 |(1) Wave 2 3 |(1) Clap 2 3 4 ||