In today's world, Design for Scandal is a topic that has gained great relevance in all areas of society. From its impact on the economy to its influence on people's daily lives, Design for Scandal has been the subject of continuous debate and analysis. In this article, we will thoroughly explore the different facets of Design for Scandal, examining its origins, its evolution over time, and its impact today. Through interviews with experts in the field and relevant statistical data, we seek to build a clear and complete picture of Design for Scandal, delving into its implications and challenges.
Design for Scandal | |
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![]() Film poster | |
Directed by | Norman Taurog |
Written by | Lionel Houser |
Produced by | John W. Considine Jr. |
Starring | Rosalind Russell Walter Pidgeon Edward Arnold |
Cinematography | William H. Daniels Leonard Smith |
Edited by | Elmo Veron |
Music by | Franz Waxman |
Production company | |
Distributed by | Loew's Inc. |
Release date |
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Running time | 85 minutes |
Country | United States |
Language | English |
Budget | $558,000[1] |
Box office | $1,057,000[1] |
Design for Scandal is a 1941 American romantic comedy film directed by Norman Taurog and starring Rosalind Russell, Walter Pidgeon and Edward Arnold. It was produced by Metro-Goldwyn-Mayer. Russell stars as a judge targeted by a newspaper tycoon unhappy with her decision in his divorce case.
When wealthy newspaper publisher Judson M. Blair divorces his wife Adele, judge Cornelia C. Porter awards Adele alimony of $4,000 per month for five years or until she remarries. After learning from his lawyer Northcott that Porter refuses to hear an appeal, Blair is furious and unsuccessfully tries to wield his influence with Porter's boss Judge Graham to have Porter transferred.
Reporter Jeff Sherman, recently fired by Blair, offers a solution in exchange for a promotion, a raise, a bonus and an unlimited expense account. Blair accedes to all of his demands. Sherman convinces his manicurist girlfriend Dotty to pretend to agree to marry him in the near future. He then tries to romance Porter, intending to threaten her with an alienation-of-affections scandal to force her to reduce Blair's alimony burden.
When Porter takes a two-month vacation, Sherman follows her. Having researched Porter's interests, Sherman pretends to be a sculptor. To obtain an artist's studio in the fully booked resort town, Sherman persuades sculptor Alexander Raoul that Blair has offered him a commission to decorate his building. Sherman then begins to woo Porter. She considers him a nuisance, but he is eventually able to win her love. To his dismay, he finds that he has fallen for her as well.
Porter learns about the scheme before Sherman can confess, and has both Blair and Sherman arrested. At their trial, Sherman acts as his own lawyer and calls Porter to the witness stand, where he asks her to marry him. Under oath, she is forced to admit that she did love him at one point, and she runs out in tears. When Sherman chases after her, he is knocked down. Believing that he has been hurt, Porter rushes back to him, and they are reconciled. Blair becomes irate when he discovers that after he had convinced his ex-wife to agree to a lump-sum settlement, she promptly married another wealthy magnate.
According to MGM records, the film earned $659,000 in the U.S. and Canada and $398,000 elsewhere, resulting in a profit of $139,000.[1]