Der Zwerg

In this article we want to address the issue of Der Zwerg, which has gained unprecedented relevance in recent years. Der Zwerg is a topic that has captured the attention of experts in various fields and has generated an intense debate worldwide. There are many aspects that can be explored in this regard, from its impact on society to its implications in the economic sphere. Along these lines, we intend to delve into the various perspectives that exist on Der Zwerg, as well as the possible future scenarios that could arise from its evolution. Without a doubt, this is a topic of great complexity and scope, so it is essential to analyze it from multiple angles to fully understand its importance and significance today.

This article is about the opera by Zemlinsky. For the Schubert song, see Der Zwerg (Schubert).

Der Zwerg
Opera by Alexander von Zemlinsky
The composer in 1908
TranslationThe Dwarf
LibrettistGeorg C. Klaren
LanguageGerman
Based on"The Birthday of the Infanta"
by Oscar Wilde
Premiere
22 May 1922 (1922-05-22)
Stadttheater Glockengasse, Cologne

Der Zwerg (The Dwarf), Op. 17, is an opera in one act by Austrian composer Alexander von Zemlinsky to a libretto by Georg C. Klaren, freely adapted from the short story "The Birthday of the Infanta" by Oscar Wilde.

Composition history

Zemlinsky's choice of this story was a reflection of the end of his relationship with Alma Mahler, and the identification he felt with the drama's main character.[1] He completed the short score in December 1919 and the orchestration in January 1921.[2] The score was published by Universal Edition Vienna.[3]

Performance history

The opera's premiere took place on 28 May 1922 at the Stadttheater Glockengasse in Cologne, Germany, under the baton of Otto Klemperer. Further productions followed in Vienna, Karlsruhe and Prague.[4] Its last performance in Zemlinsky's lifetime was in September 1926 at the Städtische Oper in Berlin-Charlottenburg.[5] The work runs for approximately 90 minutes and is usually paired with another work when performed.

In 1981, the Hamburg State Opera presented the first double-bill of Zemlinsky's two one-act operas Der Zwerg and Eine florentinische Tragödie.[5] Der Zwerg, however, was presented in an abridged version with a substantially altered libretto under the title The Birthday of the Infanta. The first modern performances of the opera as Zemlinsky intended were given in Cologne in February 1996 under the direction of James Conlon.[6]

In 2004 'Der Zwerg' was one of the 'Eight Little Greats' season given by Opera North.[7]

In 2013, the Opéra national de Lorraine in Nancy, who had previously presented Zemlinsky's Der König Kandaules and Eine florentinische Tragödie, continued its exploration of his work with Der Zwerg, presented under the French title Le nain[8] with Erik Fenton as the Dwarf, Helena Juntuen as the Infanta, Eleanore Marguerre as Ghita and Pley Bryjak as Don Estoban. The staging was by Philipp Himmelmann with sets by Raimund Bauer and costumes by Bettina Walter. The success of the performances in Nancy led to another adaptation in France in 2018 at the Opera de Rennes.[9]

Numi Opera Theatre's inaugural season presented Der Zwerg with excerpts from Oscar Wilde's "Birthday of the Infanta" in Los Angeles in 2019.[10]

In November 2022, Cologne Opera commemorated the centenary of the work's premiere there with a new production directed by Paul-Georg Dittrich and conducted by Lawrence Renes.[11]

Roles

Roles, voice types, premiere cast
Role[3] Voice type Premiere cast, 28 May 1922[12]
(Conductor: Otto Klemperer)
Donna Clara, the Infanta soprano Erna Schröder
Ghita, her attendant soprano Käthe Herwig
Don Estoban, the chamberlain bass Hubert Mertens
The Dwarf tenor Karl Schröder
First Maid soprano Hedwig Werle
Second Maid soprano Hedwig Hertel
Third Maid alto Agnes Achnitz
Friends of the Infanta sopranos and altos Johanna Klemperer, Else Karsten, Adelheid Wollgarten

Instrumentation

Offstage music: 3 trumpets; clarinet in C, bassoon, 2 horns, tambourine, mandoline, strings

Synopsis

A sultan has sent a dwarf as a present to the Infanta (Spanish princess) Donna Clara on her birthday. The dwarf is unaware of his physical deformity and becomes infatuated with the Infanta. He sings her a love song and imagines himself her brave knight. She toys with him and gives him a white rose as a present. Left alone, he accidentally uncovers a mirror and sees his own reflection for the first time. In great agitation, he tries to obtain a kiss from the Infanta, but she spurns him and calls him a monster. His heart broken, he dies clutching the white rose as the Infanta rejoins the party.

Recordings

References

  1. ^ Allenby, David, "More Than a Footnote" (Winter 2000). The Musical Times, 141 (1873): pp. 59–61.
  2. ^ Clayton, Alfred, "Zemlinsky's One-Act Operas" (August 1983). The Musical Times, 124 (1686): pp. 474–477.
  3. ^ a b "Alexander Zemlinsky – Der Zwerg op.17". Universal Edition. Retrieved 14 August 2010.
  4. ^ Antony Beaumont: Zemlinsky (Faber and Faber, 2000), p. 312.
  5. ^ a b Clayton, Alfred, "Reports: Hamburg" (December 1981). The Musical Times, 122 (1666): pp. 841–842.
  6. ^ Antony Beaumont: introduction to published score (Universal Edition, 2005)
  7. ^ Picard, Anna (2004). "The Dwarf/La vida breve/Opera North, Grand Theatre, Leeds". Retrieved 7 December 2024.
  8. ^ Erik Fenton, intense Nain de Zemlinsky, conquiert Nancy, Bruno Serrou, June 24, 2013
  9. ^ Un très grand Nain à Rennes, Véronique Boudier, March 27, 2018
  10. ^ "Numi Opera Theatre Revives Jewish Composed Opera Censored by the Nzis in Their Debut Season". PR.com.
  11. ^ https://www.oper.koeln/de/programm/der-zwerg-petruschka/6204. Retrieved August 2022.
  12. ^ Casaglia, Gherardo (2005). "Der Zwerg, 28 May 1922". L'Almanacco di Gherardo Casaglia (in Italian).

Sources

  • Antony Beaumont: Zemlinsky. Cornell University Press 2000.

Further reading

  • Ulrich Wilker: "'Das Schönste ist scheußlich': Alexander Zemlinskys Operneinakter Der Zwerg", in Schriften des Wissenschaftszentrums Arnold Schönberg, volume 9. Böhlau, Wien/Köln/Weimar 2013.