Currently, Der Herr der Liebe has become a topic of great relevance and interest for different areas of society. From academia to business, Der Herr der Liebe has captured the attention of many people due to its impact and relevance today. Technological and social advances have contributed to the growth and importance of Der Herr der Liebe in contemporary life, which has generated endless debates, discussions and analyzes around this topic. That is why this article will address in detail and critically the importance of Der Herr der Liebe today, as well as its influence on different aspects of modern life.
Der Herr der Liebe | |
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![]() Film poster | |
Directed by | Fritz Lang |
Written by | Leo Koffler |
Produced by | Erich Pommer |
Starring | Carl de Vogt Gilda Langer |
Cinematography | Carl Hoffmann |
Distributed by | Helios Film |
Release date |
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Running time | 60 minutes |
Country | Weimar Republic |
Languages | Silent film German intertitles |
Der Herr der Liebe (The Master of Love) is a 1919 romantic silent film directed in Germany by Fritz Lang. It was his second film. Carl de Vogt and Gilda Langer starred, as they had in Lang's debut feature, Halbblut. Lang himself is said to have acted in a supporting role.[1][2]
The film is now considered to be lost.[1]
Residing in a castle in the Carpathian Mountains, Hungarian nobleman Vasile Disecu becomes infatuated with Suzette, the daughter of his neighbor. He mistakes Stefana, a maid who is secretly in love with him, for Suzette and makes love to her. When Yvette, his wife[3] or mistress,[4] finds out, she avenges herself with a liaison with Lazar, a Jewish peddler. Vasile imprisons Lazar. He kills Yvette and then himself.
... the director also took part as an actor (... he had acted in a number of films he had written himself, in Berlin)[permanent dead link ]