In today's world, Deodhani dance has gained unavoidable relevance. Its impact is felt in all areas of life, from politics to technology, culture and entertainment. Deodhani dance has sparked passionate debates, generated profound changes and set the course for numerous events. In this article, we will explore the phenomenon of Deodhani dance, analyzing its many facets and examining its influence on contemporary society.
Deodhani dance is a Shaman folk dance from the Indian state of Assam. It can be performed either solo or in a group. Deodhani is of Bodo origin.[1] A group performance of Deodhani generally consists of three or four women. The dance form is associated with the worship of the snake goddess Marei/Maroi.[2] A Deodhani dance is generally performed to the accompaniment of songs sung by an Ojha, a traditional chorus leader in the Darrang district of Assam.[3]
Deodhani is derived from two words – Deo, which means God, and Dhani, which means woman, literally meaning a woman possessed (Shaman) by god. A male Shaman form is also present, called 'Deodha-Joki' in Kamrup by the Bodo people and 'Deodhai' elsewhere in Assam. Deodhani depicts the dance of a Shaman woman or man when he or she is possessed by a spiritual being. In Deodhani, the songs sung by Ojapali are known as Xuknoni in undivided Darrang district and is quite distinct from the aboriginal 'Deodha-Joki' origin & ritualistic oracle cum Shamanistic dance form of the Kaibarta-Jalkeot community in Undivided Kamrup district it is accompanied by Bor-Dhol's.[4][5]
Dancers take a sword and shield and present a virile war dance during the performance.[5][6]