In this article, we will explore the impact of Deggial in the current context. Deggial has been the subject of debate and analysis for a long time, and its relevance is still valid in the current scenario. Over the years, Deggial has played a crucial role in various aspects, from society to economics, culture and politics. With this article, we aim to address the different facets of Deggial, examining its influence and evolution over time. From its origins to its current situation, we will analyze how Deggial has shaped and continues to shape our world locally, nationally and internationally.
Deggial | ||||
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Studio album by | ||||
Released | 31 January 2000[1] | |||
Recorded | September − November 1999 | |||
Studio | Woodhouse Studio (Hagen, Germany) | |||
Genre | Symphonic metal, hard rock | |||
Length | 57:56 | |||
Label | Nuclear Blast NB 442-2 | |||
Producer | Siegfried Bemm | |||
Therion chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Kerrang! | ![]() ![]() ![]() ![]() ![]() |
Deggial is the ninth studio album by Swedish symphonic metal band Therion in 2000. As with many of Therion's other albums, Deggial features a choir and orchestra.
In 2021, it was elected by Metal Hammer as the 8th best symphonic metal album of all time.[4]
All lyrics are written by Thomas Karlsson except where noted; all music is composed by Christofer Johnsson.
No. | Title | Length |
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1. | "Seven Secrets of the Sphinx" | 3:36 |
2. | "Eternal Return" | 7:10 |
3. | "Enter Vril-Ya" | 6:38 |
4. | "Ship of Luna" | 6:28 |
5. | "The Invincible" | 5:09 |
6. | "Deggial" | 5:03 |
7. | "Emerald Crown" | 5:29 |
8. | "The Flight of the Lord of Flies" | 1:22 |
9. | "Flesh of the Gods" | 4:04 |
10. | "Via Nocturna"
| 9:30 |
11. | "O Fortuna" (Carl Orff cover) | 3:21 |
Total length: | 57:56 |
No. | Title | Length |
---|---|---|
12. | "To Mega Therion" (live) | 6:38 |
13. | "The Wings of the Hydra" (live) | 3:21 |
14. | "Black Sun" (live) | 5:45 |
Chart (2000) | Peak position |
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German Albums (Offizielle Top 100)[5] | 43 |